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Arts Calendar: Chittenden County

Date

Region

Category

Wednesday, November 6, 2019
Nov
6
2019

From Rembrandt to Van Gogh and Beyond

From Rembrandt to Van Gogh and Beyond

Vincent Van Gogh’s art was among the first that made visible the artist’s subjective feelings, an approach later emulated by 20th-century artists. Art historian Carol Berry discusses Van Gogh’s life, the development of his art, and the artists who influenced him. Part of the First Wednesdays series, a Vermont Humanities Council program hosted by Brownell Library.

11/6/19 7:00pm

Brownell Library, Essex Junction

Sep
14
2019
– THRU –
Jan
12
2020

Joel Barber & the Modern Decoy

Joel Barber & the Modern Decoy

UPCOMING EXHIBITION

Joel D. Barber, Swan, Havre de Grace, 1950. Watercolor and ink on paper, 17 7/16 x 23 9/16 in. Collection of Shelburne Museum, gift of J. Watson, Jr., Harry H., and Samuel B. Webb. 1952-192.388. Photography by Andy Duback.

This monographic exhibition is the first of its kind to focus on the life and artwork of architect, author, illustrator, and pioneering decoy collector Joel D. Barber (1876-1952). Featuring more than 100 decoys, drawings, historical photographs, and watercolors from Shelburne Museum’s extensive collection and archives, the exhibition will be organized into five thematic sections. The first section explores Barber’s introduction to the world of wildfowl decoys and his early collecting years. The next section focuses on the Art Deco-inspired watercolors he used to illustrate his groundbreaking first book Wild Fowl Decoys published in 1934. The third section chronicles his various attempts at trying to design the perfect “Modern” decoy, amalgams based on historical precedents found in his collection. The fourth section examines the numerous ways Barber exhibited his collection publicly to shine a spotlight on decoys, including: duck shows, art exhibitions, and the establishment of the world’s first decoy museum in 1947. Using existing watercolor portraits and measured drawings, the fifth and final section pieces together Barber’s unfinished second book The Decoys of North America, an ambitious project that consumed the final three years of his life.

Shelburne Museum, Shelburne

Thursday, November 7, 2019
Nov
7
2019

Storytelling and book talk on Vermont Wild

Storytelling and book talk on Vermont Wild

Join Megan Price for a book talk and storytelling to celebrate the sixth volume in the bestselling Vermont Wild series. Megan Price was born and raised in Vermont, worked as an award-winning journalist for many years and was elected to serve three terms in the Vermont House of Representatives. The books in her Vermont Wild series, chronicling game warden' zany encounters with lovesick moose, hungry bears, rioting raccoons, wily poachers and stubborn hunting dogs, are Vermont best-sellers.

11/7/19 7:00pm - 8:00pm

Phoenix Books Essex (2 Carmichael St), Essex Junction

Sep
14
2019
– THRU –
Jan
12
2020

Joel Barber & the Modern Decoy

Joel Barber & the Modern Decoy

UPCOMING EXHIBITION

Joel D. Barber, Swan, Havre de Grace, 1950. Watercolor and ink on paper, 17 7/16 x 23 9/16 in. Collection of Shelburne Museum, gift of J. Watson, Jr., Harry H., and Samuel B. Webb. 1952-192.388. Photography by Andy Duback.

This monographic exhibition is the first of its kind to focus on the life and artwork of architect, author, illustrator, and pioneering decoy collector Joel D. Barber (1876-1952). Featuring more than 100 decoys, drawings, historical photographs, and watercolors from Shelburne Museum’s extensive collection and archives, the exhibition will be organized into five thematic sections. The first section explores Barber’s introduction to the world of wildfowl decoys and his early collecting years. The next section focuses on the Art Deco-inspired watercolors he used to illustrate his groundbreaking first book Wild Fowl Decoys published in 1934. The third section chronicles his various attempts at trying to design the perfect “Modern” decoy, amalgams based on historical precedents found in his collection. The fourth section examines the numerous ways Barber exhibited his collection publicly to shine a spotlight on decoys, including: duck shows, art exhibitions, and the establishment of the world’s first decoy museum in 1947. Using existing watercolor portraits and measured drawings, the fifth and final section pieces together Barber’s unfinished second book The Decoys of North America, an ambitious project that consumed the final three years of his life.

Shelburne Museum, Shelburne

Friday, November 8, 2019
Sep
14
2019
– THRU –
Jan
12
2020

Joel Barber & the Modern Decoy

Joel Barber & the Modern Decoy

UPCOMING EXHIBITION

Joel D. Barber, Swan, Havre de Grace, 1950. Watercolor and ink on paper, 17 7/16 x 23 9/16 in. Collection of Shelburne Museum, gift of J. Watson, Jr., Harry H., and Samuel B. Webb. 1952-192.388. Photography by Andy Duback.

This monographic exhibition is the first of its kind to focus on the life and artwork of architect, author, illustrator, and pioneering decoy collector Joel D. Barber (1876-1952). Featuring more than 100 decoys, drawings, historical photographs, and watercolors from Shelburne Museum’s extensive collection and archives, the exhibition will be organized into five thematic sections. The first section explores Barber’s introduction to the world of wildfowl decoys and his early collecting years. The next section focuses on the Art Deco-inspired watercolors he used to illustrate his groundbreaking first book Wild Fowl Decoys published in 1934. The third section chronicles his various attempts at trying to design the perfect “Modern” decoy, amalgams based on historical precedents found in his collection. The fourth section examines the numerous ways Barber exhibited his collection publicly to shine a spotlight on decoys, including: duck shows, art exhibitions, and the establishment of the world’s first decoy museum in 1947. Using existing watercolor portraits and measured drawings, the fifth and final section pieces together Barber’s unfinished second book The Decoys of North America, an ambitious project that consumed the final three years of his life.

Shelburne Museum, Shelburne

Saturday, November 9, 2019
Nov
9
2019

“Vermont Dance Alliance Dance Symposium: Creating Community, We Are All in This Together.”

“Vermont Dance Alliance Dance Symposium: Creating Community, We Are All in This Together.”

Dance lovers, dance makers, dance venues and organizations, join us for a day of workshops, networking and discussion! This day is open to the entire dance network of Vermont.

Pre-registration and payment due by November 1st.

Schedule:

10:30 Arrival/check in

10:45 Opening Circle

11am "Hive Mind" -Workshop #1 with Toby Macnutt
Some problems are solved better with friends. Each of us has knowledge and experience, and together we know a whole lot. We'll share resources and needs as a full group, and workshop specific questions in small groups - talking through a place a group member's project feels stuck. Budgeting? Marketing? Venues? Something else? If you have a project or idea that seems impossible or roadblocked, bring it with you!

12pm BYOL (Bring Your Own Lunch) and enjoy/participate/watch lunch time performances!

1pm "Dunham Technique: A Way of Life" Workshop #2 with Patricia Wilson
Dance can be used as a tool for creating active citizenship. This participatory workshop, with discussion and dancing, will introduce the theories, philosophies, and basic movement vocabulary of the Dunham Technique, based on the work of dance pioneer Katherine Dunham. As an activist, she considered her technique to be “a way of life” and community building is in the root system of the technique.

3pm Learn the shape of VDA: membership, benefits, engagement, involvement.

4:15 Surprise!

4:30pm Networking Social

5pm Clean up and Goodbye

11/9/19 10:30am - 5:00pm

Capital City Grange Hall, Burlington

Nov
9
2019

Measure of the Stars

Measure of the Stars

As the natural world settles into dormancy, Social Band, Burlington’s lively band of singers, is singing about dreams. Social Band’s song and poetry selections will explore dreams in a variety of forms - visionary, aspirational, waking and sleeping, and more. Join Social Band as we lift our voices in song with our head in the clouds.

11/9/19 7:30pm - 9:00pm

United Church of Hinesburg, Hinesburg

Sep
14
2019
– THRU –
Jan
12
2020

Joel Barber & the Modern Decoy

Joel Barber & the Modern Decoy

UPCOMING EXHIBITION

Joel D. Barber, Swan, Havre de Grace, 1950. Watercolor and ink on paper, 17 7/16 x 23 9/16 in. Collection of Shelburne Museum, gift of J. Watson, Jr., Harry H., and Samuel B. Webb. 1952-192.388. Photography by Andy Duback.

This monographic exhibition is the first of its kind to focus on the life and artwork of architect, author, illustrator, and pioneering decoy collector Joel D. Barber (1876-1952). Featuring more than 100 decoys, drawings, historical photographs, and watercolors from Shelburne Museum’s extensive collection and archives, the exhibition will be organized into five thematic sections. The first section explores Barber’s introduction to the world of wildfowl decoys and his early collecting years. The next section focuses on the Art Deco-inspired watercolors he used to illustrate his groundbreaking first book Wild Fowl Decoys published in 1934. The third section chronicles his various attempts at trying to design the perfect “Modern” decoy, amalgams based on historical precedents found in his collection. The fourth section examines the numerous ways Barber exhibited his collection publicly to shine a spotlight on decoys, including: duck shows, art exhibitions, and the establishment of the world’s first decoy museum in 1947. Using existing watercolor portraits and measured drawings, the fifth and final section pieces together Barber’s unfinished second book The Decoys of North America, an ambitious project that consumed the final three years of his life.

Shelburne Museum, Shelburne

Nov
9
2019
– THRU –
Mar
8
2020

Time Lapse: Contemporary Analog Photography

Time Lapse: Contemporary Analog Photography

Time Lapse: Contemporary Analog Photography celebrates the work of 14 international and national contemporary artists who use the darkroom as a type of laboratory and find inspiration in the vast array of 19th-century photographic processes, from daguerreotypes to photograms. Experimenting with the mutable medium of photography and employing a variety of materials—from cyanotype dresses made of tamale wrappers to a three-dimensional shelter displaying tintype portraits—these artists depict familiar subjects of landscapes, portraiture, and still life through a contemporary lens.

Shelburne Museum, Shelburne

Sunday, November 10, 2019
Nov
10
2019

Measure of the Stars

Measure of the Stars

As the natural world settles into dormancy, Social Band, Burlington’s lively band of singers, is singing about dreams. Social Band’s song and poetry selections will explore dreams in a variety of forms - visionary, aspirational, waking and sleeping, and more. Join Social Band as we lift our voices in song with our head in the clouds.

11/10/19 3:00pm - 4:30pm

College Street Congregational Church, Burlington

Sep
14
2019
– THRU –
Jan
12
2020

Joel Barber & the Modern Decoy

Joel Barber & the Modern Decoy

UPCOMING EXHIBITION

Joel D. Barber, Swan, Havre de Grace, 1950. Watercolor and ink on paper, 17 7/16 x 23 9/16 in. Collection of Shelburne Museum, gift of J. Watson, Jr., Harry H., and Samuel B. Webb. 1952-192.388. Photography by Andy Duback.

This monographic exhibition is the first of its kind to focus on the life and artwork of architect, author, illustrator, and pioneering decoy collector Joel D. Barber (1876-1952). Featuring more than 100 decoys, drawings, historical photographs, and watercolors from Shelburne Museum’s extensive collection and archives, the exhibition will be organized into five thematic sections. The first section explores Barber’s introduction to the world of wildfowl decoys and his early collecting years. The next section focuses on the Art Deco-inspired watercolors he used to illustrate his groundbreaking first book Wild Fowl Decoys published in 1934. The third section chronicles his various attempts at trying to design the perfect “Modern” decoy, amalgams based on historical precedents found in his collection. The fourth section examines the numerous ways Barber exhibited his collection publicly to shine a spotlight on decoys, including: duck shows, art exhibitions, and the establishment of the world’s first decoy museum in 1947. Using existing watercolor portraits and measured drawings, the fifth and final section pieces together Barber’s unfinished second book The Decoys of North America, an ambitious project that consumed the final three years of his life.

Shelburne Museum, Shelburne

Nov
9
2019
– THRU –
Mar
8
2020

Time Lapse: Contemporary Analog Photography

Time Lapse: Contemporary Analog Photography

Time Lapse: Contemporary Analog Photography celebrates the work of 14 international and national contemporary artists who use the darkroom as a type of laboratory and find inspiration in the vast array of 19th-century photographic processes, from daguerreotypes to photograms. Experimenting with the mutable medium of photography and employing a variety of materials—from cyanotype dresses made of tamale wrappers to a three-dimensional shelter displaying tintype portraits—these artists depict familiar subjects of landscapes, portraiture, and still life through a contemporary lens.

Shelburne Museum, Shelburne

Monday, November 11, 2019
Sep
14
2019
– THRU –
Jan
12
2020

Joel Barber & the Modern Decoy

Joel Barber & the Modern Decoy

UPCOMING EXHIBITION

Joel D. Barber, Swan, Havre de Grace, 1950. Watercolor and ink on paper, 17 7/16 x 23 9/16 in. Collection of Shelburne Museum, gift of J. Watson, Jr., Harry H., and Samuel B. Webb. 1952-192.388. Photography by Andy Duback.

This monographic exhibition is the first of its kind to focus on the life and artwork of architect, author, illustrator, and pioneering decoy collector Joel D. Barber (1876-1952). Featuring more than 100 decoys, drawings, historical photographs, and watercolors from Shelburne Museum’s extensive collection and archives, the exhibition will be organized into five thematic sections. The first section explores Barber’s introduction to the world of wildfowl decoys and his early collecting years. The next section focuses on the Art Deco-inspired watercolors he used to illustrate his groundbreaking first book Wild Fowl Decoys published in 1934. The third section chronicles his various attempts at trying to design the perfect “Modern” decoy, amalgams based on historical precedents found in his collection. The fourth section examines the numerous ways Barber exhibited his collection publicly to shine a spotlight on decoys, including: duck shows, art exhibitions, and the establishment of the world’s first decoy museum in 1947. Using existing watercolor portraits and measured drawings, the fifth and final section pieces together Barber’s unfinished second book The Decoys of North America, an ambitious project that consumed the final three years of his life.

Shelburne Museum, Shelburne

Nov
9
2019
– THRU –
Mar
8
2020

Time Lapse: Contemporary Analog Photography

Time Lapse: Contemporary Analog Photography

Time Lapse: Contemporary Analog Photography celebrates the work of 14 international and national contemporary artists who use the darkroom as a type of laboratory and find inspiration in the vast array of 19th-century photographic processes, from daguerreotypes to photograms. Experimenting with the mutable medium of photography and employing a variety of materials—from cyanotype dresses made of tamale wrappers to a three-dimensional shelter displaying tintype portraits—these artists depict familiar subjects of landscapes, portraiture, and still life through a contemporary lens.

Shelburne Museum, Shelburne

Tuesday, November 12, 2019
Sep
14
2019
– THRU –
Jan
12
2020

Joel Barber & the Modern Decoy

Joel Barber & the Modern Decoy

UPCOMING EXHIBITION

Joel D. Barber, Swan, Havre de Grace, 1950. Watercolor and ink on paper, 17 7/16 x 23 9/16 in. Collection of Shelburne Museum, gift of J. Watson, Jr., Harry H., and Samuel B. Webb. 1952-192.388. Photography by Andy Duback.

This monographic exhibition is the first of its kind to focus on the life and artwork of architect, author, illustrator, and pioneering decoy collector Joel D. Barber (1876-1952). Featuring more than 100 decoys, drawings, historical photographs, and watercolors from Shelburne Museum’s extensive collection and archives, the exhibition will be organized into five thematic sections. The first section explores Barber’s introduction to the world of wildfowl decoys and his early collecting years. The next section focuses on the Art Deco-inspired watercolors he used to illustrate his groundbreaking first book Wild Fowl Decoys published in 1934. The third section chronicles his various attempts at trying to design the perfect “Modern” decoy, amalgams based on historical precedents found in his collection. The fourth section examines the numerous ways Barber exhibited his collection publicly to shine a spotlight on decoys, including: duck shows, art exhibitions, and the establishment of the world’s first decoy museum in 1947. Using existing watercolor portraits and measured drawings, the fifth and final section pieces together Barber’s unfinished second book The Decoys of North America, an ambitious project that consumed the final three years of his life.

Shelburne Museum, Shelburne

Nov
9
2019
– THRU –
Mar
8
2020

Time Lapse: Contemporary Analog Photography

Time Lapse: Contemporary Analog Photography

Time Lapse: Contemporary Analog Photography celebrates the work of 14 international and national contemporary artists who use the darkroom as a type of laboratory and find inspiration in the vast array of 19th-century photographic processes, from daguerreotypes to photograms. Experimenting with the mutable medium of photography and employing a variety of materials—from cyanotype dresses made of tamale wrappers to a three-dimensional shelter displaying tintype portraits—these artists depict familiar subjects of landscapes, portraiture, and still life through a contemporary lens.

Shelburne Museum, Shelburne

Wednesday, November 13, 2019
Sep
14
2019
– THRU –
Jan
12
2020

Joel Barber & the Modern Decoy

Joel Barber & the Modern Decoy

UPCOMING EXHIBITION

Joel D. Barber, Swan, Havre de Grace, 1950. Watercolor and ink on paper, 17 7/16 x 23 9/16 in. Collection of Shelburne Museum, gift of J. Watson, Jr., Harry H., and Samuel B. Webb. 1952-192.388. Photography by Andy Duback.

This monographic exhibition is the first of its kind to focus on the life and artwork of architect, author, illustrator, and pioneering decoy collector Joel D. Barber (1876-1952). Featuring more than 100 decoys, drawings, historical photographs, and watercolors from Shelburne Museum’s extensive collection and archives, the exhibition will be organized into five thematic sections. The first section explores Barber’s introduction to the world of wildfowl decoys and his early collecting years. The next section focuses on the Art Deco-inspired watercolors he used to illustrate his groundbreaking first book Wild Fowl Decoys published in 1934. The third section chronicles his various attempts at trying to design the perfect “Modern” decoy, amalgams based on historical precedents found in his collection. The fourth section examines the numerous ways Barber exhibited his collection publicly to shine a spotlight on decoys, including: duck shows, art exhibitions, and the establishment of the world’s first decoy museum in 1947. Using existing watercolor portraits and measured drawings, the fifth and final section pieces together Barber’s unfinished second book The Decoys of North America, an ambitious project that consumed the final three years of his life.

Shelburne Museum, Shelburne

Nov
9
2019
– THRU –
Mar
8
2020

Time Lapse: Contemporary Analog Photography

Time Lapse: Contemporary Analog Photography

Time Lapse: Contemporary Analog Photography celebrates the work of 14 international and national contemporary artists who use the darkroom as a type of laboratory and find inspiration in the vast array of 19th-century photographic processes, from daguerreotypes to photograms. Experimenting with the mutable medium of photography and employing a variety of materials—from cyanotype dresses made of tamale wrappers to a three-dimensional shelter displaying tintype portraits—these artists depict familiar subjects of landscapes, portraiture, and still life through a contemporary lens.

Shelburne Museum, Shelburne

Thursday, November 14, 2019
Sep
14
2019
– THRU –
Jan
12
2020

Joel Barber & the Modern Decoy

Joel Barber & the Modern Decoy

UPCOMING EXHIBITION

Joel D. Barber, Swan, Havre de Grace, 1950. Watercolor and ink on paper, 17 7/16 x 23 9/16 in. Collection of Shelburne Museum, gift of J. Watson, Jr., Harry H., and Samuel B. Webb. 1952-192.388. Photography by Andy Duback.

This monographic exhibition is the first of its kind to focus on the life and artwork of architect, author, illustrator, and pioneering decoy collector Joel D. Barber (1876-1952). Featuring more than 100 decoys, drawings, historical photographs, and watercolors from Shelburne Museum’s extensive collection and archives, the exhibition will be organized into five thematic sections. The first section explores Barber’s introduction to the world of wildfowl decoys and his early collecting years. The next section focuses on the Art Deco-inspired watercolors he used to illustrate his groundbreaking first book Wild Fowl Decoys published in 1934. The third section chronicles his various attempts at trying to design the perfect “Modern” decoy, amalgams based on historical precedents found in his collection. The fourth section examines the numerous ways Barber exhibited his collection publicly to shine a spotlight on decoys, including: duck shows, art exhibitions, and the establishment of the world’s first decoy museum in 1947. Using existing watercolor portraits and measured drawings, the fifth and final section pieces together Barber’s unfinished second book The Decoys of North America, an ambitious project that consumed the final three years of his life.

Shelburne Museum, Shelburne

Nov
9
2019
– THRU –
Mar
8
2020

Time Lapse: Contemporary Analog Photography

Time Lapse: Contemporary Analog Photography

Time Lapse: Contemporary Analog Photography celebrates the work of 14 international and national contemporary artists who use the darkroom as a type of laboratory and find inspiration in the vast array of 19th-century photographic processes, from daguerreotypes to photograms. Experimenting with the mutable medium of photography and employing a variety of materials—from cyanotype dresses made of tamale wrappers to a three-dimensional shelter displaying tintype portraits—these artists depict familiar subjects of landscapes, portraiture, and still life through a contemporary lens.

Shelburne Museum, Shelburne

Friday, November 15, 2019
Sep
14
2019
– THRU –
Jan
12
2020

Joel Barber & the Modern Decoy

Joel Barber & the Modern Decoy

UPCOMING EXHIBITION

Joel D. Barber, Swan, Havre de Grace, 1950. Watercolor and ink on paper, 17 7/16 x 23 9/16 in. Collection of Shelburne Museum, gift of J. Watson, Jr., Harry H., and Samuel B. Webb. 1952-192.388. Photography by Andy Duback.

This monographic exhibition is the first of its kind to focus on the life and artwork of architect, author, illustrator, and pioneering decoy collector Joel D. Barber (1876-1952). Featuring more than 100 decoys, drawings, historical photographs, and watercolors from Shelburne Museum’s extensive collection and archives, the exhibition will be organized into five thematic sections. The first section explores Barber’s introduction to the world of wildfowl decoys and his early collecting years. The next section focuses on the Art Deco-inspired watercolors he used to illustrate his groundbreaking first book Wild Fowl Decoys published in 1934. The third section chronicles his various attempts at trying to design the perfect “Modern” decoy, amalgams based on historical precedents found in his collection. The fourth section examines the numerous ways Barber exhibited his collection publicly to shine a spotlight on decoys, including: duck shows, art exhibitions, and the establishment of the world’s first decoy museum in 1947. Using existing watercolor portraits and measured drawings, the fifth and final section pieces together Barber’s unfinished second book The Decoys of North America, an ambitious project that consumed the final three years of his life.

Shelburne Museum, Shelburne

Nov
9
2019
– THRU –
Mar
8
2020

Time Lapse: Contemporary Analog Photography

Time Lapse: Contemporary Analog Photography

Time Lapse: Contemporary Analog Photography celebrates the work of 14 international and national contemporary artists who use the darkroom as a type of laboratory and find inspiration in the vast array of 19th-century photographic processes, from daguerreotypes to photograms. Experimenting with the mutable medium of photography and employing a variety of materials—from cyanotype dresses made of tamale wrappers to a three-dimensional shelter displaying tintype portraits—these artists depict familiar subjects of landscapes, portraiture, and still life through a contemporary lens.

Shelburne Museum, Shelburne

Saturday, November 16, 2019
Nov
16
2019

Nightshade Kitchen presents Sam Moss, Rosu Lup and Cricket Blue

Nightshade Kitchen presents Sam Moss, Rosu Lup and Cricket Blue

After a breath from September's rest...
Nightshade Kitchen returns!

Presenting:

Sam Moss
(www.sammoss.net)

Sam Moss is a musician living in Boston. His discography ranges from early recordings of instrumental folk guitar to more recent lyrically centered efforts, including 2018’s Neon, which has been acclaimed by NPR and The Boston Globe. Since 2014 he has been regularly on tour, performing in all manner of venues: pubs, galleries, abandoned silos, living rooms, and the Newport Folk Festival. Moss is a recipient of fellowships from the MacDowell Colony and Marble House Project.

Cricket Blue
(www.cricketbluemusic.com)

Laura Heaberlin and Taylor Smith are musicians, sure, but they're storytellers too. The eleven songs on their debut album Serotinalia feature a cast of characters right out of a short story collection. A listless grocery store clerk. A woman obsessed with her milkman. A harvest deity who is ritually murdered every fall. Oh, and a pair of scissors.

Rosu Lup
(www.rosulup.com)

Drawing on elements of orchestral instrumentation, electronic, ethereal, and folk sounds, Rosu Lup’s music is as unique as the origin of their name -- which is Romanian for “red wolf.” The duo’s new album, The Ranger, works through difficult phases of life and finds them discovering hope along the way. Lead single “What You Need” premiered with Substream Magazine, with the outlet noting that it’s “a deeply nuanced, beautiful track that will have listeners thinking about it for a long time.”

——————————————————————————

As always, we present this event with the belief that a piece of music is enriched when accompanied by a fine meal, that food is similarly enriched when accompanied by a song. The chefs spoon is stirred with the same care and calculation with which the fingers strum a chord, by which the hand pats the back. Finally, this event is made possible and affordable through resources gathered from our community, the voluntary hard work and support of ordinary people and the respect of all guests.

——————————————————————————

Saturday, November 16th 2019
at Congregation Ruach Hamaqom
Show: 7:00 pm
All Ages • $7 admission
$8 per plate, presented with care by the Nightshade chefs

Visit Nightshade Kitchen for more info!

11/16/19 7:00pm - 10:00pm

Congregation Ruach haMaqom, Burlington

Sep
14
2019
– THRU –
Jan
12
2020

Joel Barber & the Modern Decoy

Joel Barber & the Modern Decoy

UPCOMING EXHIBITION

Joel D. Barber, Swan, Havre de Grace, 1950. Watercolor and ink on paper, 17 7/16 x 23 9/16 in. Collection of Shelburne Museum, gift of J. Watson, Jr., Harry H., and Samuel B. Webb. 1952-192.388. Photography by Andy Duback.

This monographic exhibition is the first of its kind to focus on the life and artwork of architect, author, illustrator, and pioneering decoy collector Joel D. Barber (1876-1952). Featuring more than 100 decoys, drawings, historical photographs, and watercolors from Shelburne Museum’s extensive collection and archives, the exhibition will be organized into five thematic sections. The first section explores Barber’s introduction to the world of wildfowl decoys and his early collecting years. The next section focuses on the Art Deco-inspired watercolors he used to illustrate his groundbreaking first book Wild Fowl Decoys published in 1934. The third section chronicles his various attempts at trying to design the perfect “Modern” decoy, amalgams based on historical precedents found in his collection. The fourth section examines the numerous ways Barber exhibited his collection publicly to shine a spotlight on decoys, including: duck shows, art exhibitions, and the establishment of the world’s first decoy museum in 1947. Using existing watercolor portraits and measured drawings, the fifth and final section pieces together Barber’s unfinished second book The Decoys of North America, an ambitious project that consumed the final three years of his life.

Shelburne Museum, Shelburne

Nov
9
2019
– THRU –
Mar
8
2020

Time Lapse: Contemporary Analog Photography

Time Lapse: Contemporary Analog Photography

Time Lapse: Contemporary Analog Photography celebrates the work of 14 international and national contemporary artists who use the darkroom as a type of laboratory and find inspiration in the vast array of 19th-century photographic processes, from daguerreotypes to photograms. Experimenting with the mutable medium of photography and employing a variety of materials—from cyanotype dresses made of tamale wrappers to a three-dimensional shelter displaying tintype portraits—these artists depict familiar subjects of landscapes, portraiture, and still life through a contemporary lens.

Shelburne Museum, Shelburne