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Arts Calendar

Thursday, May 31, 2018
May
31
2018

Book launch for Building Eden

Book launch for Building Eden
Description:

Join Matthys Levy to celebrate the launch of his first novel, Building Eden. Building Eden is a thrilling story of love, arrogance, betrayal, murder, and architecture set in a world with which the author is intimately familiar. Matthys Levy is the designer of many iconic buildings and other structures throughout the world, and the author of the best-seller Why Buildings Fall Down.

Time: 5/31/18 7:00pm - 8:00pm
Location: Phoenix Books Burlington (191 Bank St), Burlington
May
31
2018

Artist Talk: Richard Klein

Artist Talk: Richard Klein
Description:

In connection with the exhibit Bottle in the River, on view in the East Gallery through June 17, artist Richard Klein discusses his work.

Klein is an artist, curator, and writer. As an artist, he has exhibited widely, including the Neuberger Museum of Art at SUNY Purchase, the John Michael Kohler Arts Center, Portland (Ore.) Institute of Contemporary Art, and the Tufts University Art Gallery. His work is included in numerous public and private collections, including the DeCordova Sculpture Park and Museum and the State of Connecticut Artists Collection. Since 1999 he has been exhibitions director of The Aldrich Contemporary Art Museum in Ridgefield, Conn. In his sixteen year career as a curator of contemporary art he has organized over 80 exhibitions, including solo shows of the work of Roy Lichtenstein, Janine Antoni, Sol LeWitt, Mark Dion, Tom Sachs, and Elana Herzog. Major curatorial projects at The Aldrich have included Fred Wilson: Black Like Me (2006), Elizabeth Peyton: Portrait of an Artist (2008) and Shimon Attie: MetroPAL.IS. (2011). His essays on art and culture have appeared in Cabinet Magazine and have been included in books published by Hatje Cantz, Damiani, Picturebox, and the University of Chicago Press, among others.

This event is presented in connection with The Confluence Project, an experiment in creative placemaking organized by Vermont Performance Lab and Windham Regional Commission.

Time: 5/31/18 7:00pm
Location: Brattleboro Museum and Art Center, Brattleboro
May
9
2018
– THRU –
Jun
1
2018

VSC/VCFA Alumnx* Exhibition

VSC/VCFA Alumnx* Exhibition
Description:

it went like this: the skyline was beautiful on fire
Opening Reception: Saturday, May 12th from 5PM - 7PM

45 College St. Montpelier, VT 05602
May 9th - June 1st, 2018

Gallery hours are Monday - Wednesday by appointment only, Thursday and Friday 10am - 4pm. The gallery will be closed Friday, May 25th and Monday, May 28th. If you would like to make an appointment to view the show outside of gallery hours, please contact Brittany M. Powell: brittany.powell@vcfa.edu and/or Thatiana Oliveira: Thatiana.Oliveira@vcfa.edu.

RSVP: https://www.facebook.com/events/1470040293102636/

*Alumnx is a gender-neutral term that embraces the full spectrum of gender identities within our community.

Image credit: Naima Lowe, video still from Trouble, 2018

Time: 5/9/18 10:00am - 6/1/18 5:00pm
Location: VCFA Alumni Hall Gallery 45 College St., Montpelier
May
9
2018
– THRU –
Jun
1
2018

VSC/VCFA Alumnx Exhibition

VSC/VCFA Alumnx Exhibition
Description:

it went like this: the skyline was beautiful on fire
Opening Reception: Saturday, May 12th from 5PM - 7PM

45 College St. Montpelier, VT 05602
May 9th - June 1st, 2018

Gallery hours are Monday - Wednesday by appointment only, Thursday and Friday 10am - 4pm. The gallery will be closed Friday, May 25th and Monday, May 28th. If you would like to make an appointment to view the show outside of gallery hours, please contact Brittany M. Powell: brittany.powell@vcfa.edu and/or Thatiana Oliveira: Thatiana.Oliveira@vcfa.edu.

RSVP: https://www.facebook.com/events/1470040293102636/

*Alumnx is a gender-neutral term that embraces the full spectrum of gender identities within our community.

Image credit: Naima Lowe, video still from Trouble, 2018

Time: 5/9/18 10:00am - 6/1/18 5:00pm
Location: VCFA Alumni Hall Gallery 45 College St., Montpelier
May
31
2018
– THRU –
Jun
3
2018

Lady Day at Emerson's Bar & Grill

Lady Day at Emerson's Bar & Grill Vermont Arts 2018
Description:

JAG Productions is pleased to present Lanie Robertson's Lady Day at Emerson's Bar & Grill directed by Jarvis Antonio Green.

It’s 1959 and jazz legend Billie Holiday is playing a seedy bar in Philadelphia. It will be one of her last performances. As she shares stories about her stormy personal life, her battle with addiction and her ground-breaking vocal style, she also, of course, sings.

Showings
Thursday-Saturday: 7:30pm-9:00pm
Saturday: 2:00pm-3:30pm
Sunday: 4:00pm-5:30pm

Location: The Grange Theatre, 65 Stage Road, North Pomfret
Feb
8
2018
– THRU –
Jun
7
2018

Art Play

Art Play Vermont Arts 2018
Description:

Age 1-4, with an adult
Thursdays, excluding school holidays
10am-11am

$5 per child

This experiential, process-based art time for toddlers ignites your child’s imagination with self-directed art activities. We supply the creation stations. You supply the fun!

Time: 2/8/18 10:00am - 6/7/18 11:00am
Location: Helen Day Art Center, Stowe
Apr
22
2018
– THRU –
Jun
8
2018

Resa Blatman: Trouble in Paradise

Resa Blatman: Trouble in Paradise
Description:

Catamount Celebrates Earth Day with Resa Blatman: Trouble in Paradise

On April 22, 1970, millions of people took to the streets to protest the negative impacts of pollution and heavy use of pesticides. The first national Earth Day rally resulted in the creation of the Environmental Protection Agency and passage of such robust legislation as the Clean Water and Endangered Species Acts. 48 years later, Earth Day is a global event in which more than 1 billion people in 192 countries participate in civically focused actions to bring attention to continuing threats to biodiversity and the environment. This April 22, Catamount Arts will celebrate Earth Day with the official opening of the art exhibition Resa Blatman: Trouble in Paradise.

Resa Blatman’s work is proof that eco-activism is not limited to the scientific community. In Trouble in Paradise, an exhibition of 17 elegantly crafted and exuberant paintings, the artist offers up a visual commentary on climate change and its increasing threat to migratory birds and other animal species. “Nature is full of delight and darkness, energy and decay, life and death,” observes Blatman. “I endeavor to make work that offers me and the viewer an elegiac and seductive visual feast with hints of surrender—surrender of the self, surrender of the natural world, surrender of the things we cannot control.”

Inspired by the decorative traditions of Baroque, Romantic, and Victorian art, Blatman combines paint, assemblage, and intricate laser-cut forms to create beautiful yet unsettling microenvironments. Scintillating Swamp and The Ultimate Whorl show flora and fauna bursting from the confines of the picture frame, giving evidence to the dynamic vitality of nature. But within this abundance of life, we are faced with a clear threat. Tangles of thorny branches leave little room for migratory birds to rest comfortably. The scarred earth and ominous skies in such paintings as The Fall and Heed force viewers to go beyond poetic beauty to consider what happens if nature is stressed beyond her ability to recover. While Blatman’s small worlds are undeniably lovely, they also acknowledge and warn about troubles in our natural paradise.

Resa Blatman’s intricate paintings and multi-layered installations have long been inspired by the natural world, but her most recent work explores the alarming signs of climate change—extreme weather conditions and rising water levels due to shrinking ice caps. In 2015, she was one of 29 artists, writers, and poets who sailed along the west coast of Svalbard, a Norwegian archipelago north of the Arctic Circle. During the month-long expedition, the artist hiked on glaciers, boated in and out of fjords, and collected detritus—fishing line, fishing nets, combs, toothbrushes—washed up on the shore. Upon return, Blatman created The Water Project/Rising Tide, a series of large-scale installations made from pliable hand-cut Mylar painted with latex to effectively simulate movement of ocean currents. The artist is currently planning a trip to the ice-capped landmass of Greenland, where she expects to be further inspired by her observation of the natural world.

Blatman holds a BFA from the Massachusetts College of Art and Design and an MFA from Boston University. She has exhibited widely, with solo exhibitions at galleries and universities all over the United States. She is a past recipient of a full fellowship to the Vermont Studio Center, a Blanche Coleman Award and an Artist Resource Trust Award from the Berkshire Taconic Community Foundation. Her work is in public and private collections across the United States, Europe and South Africa. She currently lives and works in Somerville, MA. For more information about the artist, see www.resablatman.com.

Officially opening on Sunday, April 22 as part of the 48th anniversary celebration of Earth Day, Resa Blatman: Trouble in Paradise will be on view in Catamount Arts’ Main Gallery in St. Johnsbury through June 8. Special related programming such as free gallery talks and film screenings will be scheduled throughout the course of the show. All are welcome to attend. For more information about this and other Catamount Arts events, call (802) 748-2600 or visit www.catamountarts.org.

Time: 4/22/18 12:00am - 6/8/18 12:00am
Location: Catamount Arts Gallery, Saint Johnsbury
Apr
22
2018
– THRU –
Jun
8
2018

Anne Sargent Walker "Out on a Limb"

Anne Sargent Walker "Out on a Limb"
Description:

Catamount Arts Exhibits Norwich Painter for Earth Day

An exhibit by artist Anne Sargent Walker of Boston and Norwich will open at the Catamount Arts Rankin Gallery on Sunday, April 22nd, in celebration of Earth Day. Anne Sargent Walker’s Out on a Limb explores the effects of climate change on the natural environment and will be on exhibit through June 8 with special related programming including free gallery talks and special film screenings. An artist’s reception will be held on Thursday, May 31, from 5-7 pm.

Anne Sargent Walker’s mixed media painting explores the beauty, complexity, and fragility of the natural world—and our complicated relationship with it. Her semi-abstract paintings in oil and acrylic often incorporate layers of vintage wallpaper, something man-made that references a pastoral inclination to bring nature inside. Birds, flora, and other creatures rest uneasily on a surface that can degrade by peeling back or dissolving to reveal multiple layers beneath—a reminder of planet warming, the loss of habitat for humans and other species, and growing threats to the environment itself.

It’s an appropriate exhibit for Earth Day, a celebration that dates back to 1970 when millions of people took to the streets to protest pollution and heavy use of pesticides. The first Earth Day rallies resulted in the creation of the Environmental Protection Agency and the passage of legislation such at the Clean Water and Endangered Species Acts. Catamount Arts will celebrate the 48th annual Earth Day with the opening of two exhibits concerning the effects of climate change on the natural world: Resa Blatman’s Trouble in Paradise will open in the Main Gallery on the same day Anne Sargent Walker’s Out on a Limb opens in the Rankin Gallery.

Sargent Walker attributes her concerns about nature to summers spent with her naturalist father at her family home in Norwich where she frequently returns to continue her longstanding engagement with the rural landscape. Raised in Boston and Vermont, Sargent Walker earned her BA in Studio Art from Connecticut College and a MEd from Tufts University. Recipient of a Berkshire Taconic Foundation Artists’ Resource Trust Grant, Walker has also enjoyed artist residencies at the Vermont Studio Center and in Ireland and Italy. Her work has been widely exhibited throughout New England and is in permanent and private collections across the country.

For more information about the artist and her work, see www.annesargentwalker.com. To learn more about Catamount Arts programming, visit www.catamountarts.org.

Time: 4/22/18 12:00am - 6/8/18 12:00am
Location: Catamount Arts Rankin Gallery, Saint Johnsbury
Apr
28
2018
– THRU –
Jun
9
2018

Hold Me, Pet Me, I'm Crying About Something

Hold Me, Pet Me, I'm Crying About Something Vermont Arts 2018
Description:

This solo exhibition is a collection of artwork that spans the last few years of Nina Dubois’ life: an alchemy of flash poetry, paint and reclaimed materials. Working in a variety of mediums, she investigates history, text, and place, from the real and imagined to personal and political. Dubois is an artist, feminist, and educator living in Vermont. She graduated from Goddard College with a B.A. in Arts Education and teaches at a therapeutic high school in Poultney, Vermont.

Time: 4/28/18 12:00pm - 6/9/18 6:00pm
Location: CU Bank Gallery, 104 Merchants Row, Center Rutland
May
18
2018
– THRU –
Jun
9
2018

TRIO: Ceramics Exhibit

TRIO: Ceramics Exhibit Vermont Arts 2018
Description:

A special ceramics exhibit at the ArtisTree Gallery featuring the work of Fiona Davis, Deborah Goodwin and Amanda Ann Palmer. Opening reception on Friday, May 18th at 5:30-7:30 pm
Gallery hours: Tuesday-Saturday 11am - 4 pm

Time: 5/18/18 5:30pm - 6/9/18 4:00pm
Location: ArtisTree Community Arts Center, South Pomfret
Apr
13
2018
– THRU –
Jun
10
2018

Vox Populi at the BCA Center

Vox Populi at the BCA Center
Description:

How can we capture the mood of a nation, and reflect on the current state of American culture through portraiture? In contemporary art, there is a current trend in evocative “portraiture” that questions, probes, and evokes larger ideas of identity and culture, sometimes even conflict. Whether seen in current events, or with the swell of populism that informs today's American sentiment, people – their beliefs, opinions, and rhetoric – have become polarized, and differences pronounced. Vox Populi (or the people’s voice) aims to capture the character and inner psyche of people through contemporary portraiture, who, despite sharing divergent perspectives and voices, find commonality through our shared image. Vox Populi features recent painting and sculpture by six Vermont-based artists: Catherine Hall, Misoo Filan, Harlan Mack, Nathaniel Moody, Ross Sheehan, and Susan Wilson. ​

Admission is free and open to the public.
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BCA Center Gallery Hours:
November - April:
Tuesday, Wednesday & Thursday: noon-5 p.m.
Friday & Saturday: noon-8 p.m.
Closed Sunday & Monday

May - October:
Tuesday, Wednesday & Thursday: noon-5 p.m.
Friday & Saturday: noon-8 p.m.
Sunday: noon-5 p.m.
Closed Monday
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Image credit: Misoo Filan, The giant asian girls #4, 2017, 36in x 48in, acrylic paint and collage on panel, Vox Populi

Location: 135 Church Street, Burlington
Apr
13
2018
– THRU –
Jun
10
2018

From Across the Distance: Works From The Barjeel Art Foundation

From Across the Distance: Works From The Barjeel Art Foundation
Description:

From Across the Distance provides a glimpse into thought-provoking artistic practices of the Arab world and features the work of London-based Palestinian artist Larissa Sansour, Iraqi-Finnish artist Adel Abidin, and Jordanian-born artist Lawrence Abu Hamdan. Each of these artists shares a portrait of urban capitals imagined during a past, present, or future moment of political and social instability. Although rooted in distinct local histories and contemporary political landscapes, the three videos speak to broader global concerns of collectivity, censorship, and the possibility of co-existent national identities. From Across the Distance features contemporary video works from the Barjeel Art Foundation, an independent collecting philanthropic institution based in Sharjah, United Arab Emirates, established by Sultan Sooud Al Qassemi in 2010 to manage, preserve, and exhibit an extensive collection of modern and contemporary Arab art.

From Across the Distance is guest curated by Dr. Sarah Rogers and courtesy of the Barjeel Art Foundation, Sharjah

Admission is free and open to the public.
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BCA Center Gallery Hours:
November - April:
Tuesday, Wednesday & Thursday: noon-5 p.m.
Friday & Saturday: noon-8 p.m.
Closed Sunday & Monday

May - October:
Tuesday, Wednesday & Thursday: noon-5 p.m.
Friday & Saturday: noon-8 p.m.
Sunday: noon-5 p.m.
Closed Monday
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Image Credit: Adel Abidin, Memorial, 2009, single-channel video, Image courtesy of Barjeel Art Foundation, Sharjah

Location: 135 Church Street, Burlington
May
3
2018
– THRU –
Jun
10
2018

Where to Land

Where to Land
Description:

Northern Daughters is thrilled to announce Where to Land, a solo exhibit of oil paintings by Bonnie Baird. Baird is known for her authentic, personal paintings of the Vermont landscape. Her work possess a subtle drama, depth and detail that pays homage to her relationship with the land - one that has developed throughout her life as a farmer. Baird says “My work gives the environment a breath, a body through which viewers acknowledge the breadth of emotions evoked by our surroundings.”

Raised on a 730-acre dairy farm in Vermont, she and her husband Robert are the third generation to own and work their dairy/maple farm. This outdoor experience has given her a deep connection with the land. Working in the natural environment every day in every kind of weather allows her to truly feel the horizon; warm or cold, dark or light, intimate or expansive.

Baird’s work brings the viewer directly to that experience, that intimate relationship with the land. For this we are grateful. Baird's work is filled with an emerging fullness of heart. In her paintings, light infuses life into atmosphere, becoming the magic that conjures a personal memory. Her work simultaneously evokes a simple lament and heartfelt joy. The pieces featured in this exhibit are the largest the artist has painted to date. Her minimalist approach is spare but warm and creates a perceptual experience – a vivid place. The larger format fits Baird’s work, which often features expansive horizons and the low lying flood plains of her home county.

“My paintings are a reaction to what I see and my palette is my color response to what I am experiencing. Building with layers of color that I add to − and subtract from − I compose large and simple shapes to suggest and reveal an enlivened reality.”

Where to Land is on view at the gallery’s 221 Main St. location in Vergennes, Vermont from May 3rd through June 10th with an opening reception with live music, wine and apéro on May 11th from 5-8pm.

Time: 5/3/18 10:00am - 6/10/18 5:00pm
Location: Northern Daughters, 221 Main St, Vergennes
Apr
2
2018
– THRU –
Jun
15
2018

Petroglyphs, Flora and Frenzied Encounters: The Hand-Pulled Prints of Betsey Garand

Petroglyphs, Flora and Frenzied Encounters: The Hand-Pulled Prints of Betsey Garand Vermont Arts 2018
Description:

Curated by Dian Parker

These recent prints of Betsey Garand represent the continuous balance and growth of physical and psychological life. The colors are layered biomorphic and geometric shapes, combining delicate nuances with accents of vibrancy and transparency. Garand uses a combination of techniques; woodcut, monotype, pochôir, spit-bite aquatint, lift-ground aquatint, and à la poupée. The prints create the luscious varieties of form, color, and change inherent in nature. These works are fluid, amorphic, richly colored, and intensely dynamic.

Betsey Garand is presently Senior Resident Artist at Amherst College in the Department of Art and the History of Art, where she is head of printmaking. Garand has shown in many exhibitions and in numerous public and private art collections; Dadapost Gallery-Berlin, Germany; Santa Barbara Museum of Art; Hammer Museum’s Grunwald Center for the Graphic Arts; Arkansas Arts Center; Tokyo Geijutsu Daigaku-Japan; Art Museum of Estonia. Awards include a Pollock Krasner Foundation Grant, and fellowships at Dorland Mountain Arts Colony and the MacDowell Colony.

Time: 4/2/18 10:00am - 6/15/18 4:00pm
Location: White River Gallery @ BALE, South Royalton
Apr
6
2018
– THRU –
Jun
16
2018

'Barn Art'

'Barn Art' Vermont Arts 2018
Description:

Artists in Vermont clearly have an affinity with barns. The many barns that dot the Vermont landscape provide inspiration to artists, are a treasured subject matter, and provide reminders of their purpose and history. The Compass Music and Arts Center’s new exhibit ‘Barn Art’ is a collection of works from 31 different artists in celebration of these functional, yet stunning, architectural gems. The exhibit runs through June 16, with an opening reception on Friday, April 6, from 5:00-7:00pm.

Time: 4/6/18 10:00am - 6/16/18 5:00pm
Location: Compass Music and Arts Center - 333 Jones Dr., Brandon
May
3
2018
– THRU –
Jun
19
2018

Tim Brookes - The Enigmatic Art of Endangered Alphabets

Tim Brookes - The Enigmatic Art of Endangered Alphabets Vermont Arts 2018
Description:

The Enigmatic Art of Endangered Alphabets, an exhibit of wood carvings by Tim Brookes, will exhibit at the Gallery at River Arts May 3 – June 19, 2018.

The non-profit Endangered Alphabets Project, founded in 2010, flourishes on the borderlands between art and woodwork, painting and typography, linguistics and anthropology, creative design and cultural preservation, ethnography and spirituality. Originally intended to preserve some of the world’s endangered writing systems by carving them in boards of beautiful Vermont curly maple, the Alphabets have expanded to encompass artwork, poetry, sound sculpture, and furniture.

The shapes incorporated in writing reflect our sense of what comes naturally to the human body—the radius-over-ulna turn of the wrist, the sweep of the arm, the turn of the shoulders, the leaning-forward downstroke obeying gravity—and what we think of as ideal forms: the circle, the line, the right angle, the set of parallels, symmetry and balance. The shapes incorporated in wood grain reflect a deeper, older set of forces: annual sun-and-rain weather cycles depicted in growth rings; the complex rhythms of wind stressing trees at the edge of a forest. These carvings are a conversation between the two sets of patterns, the urgent desire to communicate in human time set against the longer, slower rhythms of the natural world. The carvings have been displayed at the Smithsonian Institution, Yale, Harvard, the universities of Cambridge and Barcelona, and other colleges, universities, and libraries across North America.

Tuesday, June 19, 3:00p.m.
River Arts Center, 74 Pleasant Street, Morrisville, VT

On June 19 at 3:00p.m., Tim Brookes will be speaking on Endangered Alphabets, Cultural Erosion, and the Future of the Written Word. What does the age of digital convergence, Facebook, and globalization mean for the future of the written word? Writer/carver/painter Tim Brookes offers remarkable and thought-provoking perspective on this question by looking at a range of forms of writing from all over the world that are in danger of extinction. He displays a carving of a piece of text in each script, leading a discussion on how technology will help—and always has helped—define the nature of communication, and shows how the story of a culture can be seen in its writing, even if that writing is (as in these examples) beautiful, utterly unfamiliar, and disappearing. This talk is in conjunction with Tim Brooke’s exhibit “The Enigmatic Art of Endangered Alphabets.” The talk is free, open to the public, and accessible to those with disabilities. For more information, contact Heidi@RiverArtsVT.org.

Endangered Alphabets, Cultural Erosion, and the Future of the Written Word is a Vermont Humanities Council program hosted by River Arts. (Supported in part by the National Endowment for the Humanities. Any views, findings, conclusions, or recommendations expressed in this program do not necessarily represent those of the NEH or VHC.)

Time: 5/3/18 9:00am - 6/19/18 4:00pm
Location: River Arts, Morrisville
Apr
18
2018
– THRU –
Jun
23
2018

The LAST of the HILL FARMS: Photographs by Richard Brown

The LAST of the HILL FARMS: Photographs by Richard Brown
Description:

Middlebury, VT—Richard Brown’s recently published retrospective—The Last of the Hill Farms: Echoes of Vermont’s Past—showcases the photographer’s most cherished subject: Vermont’s hill farmers. A new exhibition at the Vermont Folklife Center in Middlebury, VT offers the chance to experience the Vermont that Richard entered and began to photograph in the 1970s.

The lives, landscapes, and time period Brown so lovingly documented are available for viewing through a range of more than thirty large and small format, finely detailed, black-and-white photographic prints, which were hand-made by the artist.

OPENING RECEPTION: Friday, May 18, 2018 from 5:00-7:00 PM the Vermont Folklife Center in Middlebury, VT, will host a public reception and gallery talk. Complimentary locally sourced food and drink, including beer, wine, craft cheeses, produce, and more will be served.

Exhibit on Display now through June 23, 2018
Opening Reception and Gallery Talk – Friday, May 18, 2018 - 5-7PM

Time: 4/18/18 10:00am - 6/23/18 5:00pm
Location: Vermont Folklife Center, Middlebury
May
3
2018
– THRU –
Jun
24
2018

Russians and Friends

Russians and Friends Vermont Arts 2018
Description:

Bryan Memorial Gallery presents The Russians and Friends, a selection of paintings by four visiting artists from Russia, and some American friends, who recently painted together in Jeffersonville.

Bryan Menorial gallery is at 180 Main Street, Jeffesonville, VT 802-644-5100. A digital preview of this exhibit can be seen at www.bryangallery.org. Gallery hours are Thursday-Sunday 11-4 and by appointment any time.

Opening reception Sunday May 6th. Artist Roundtable at 1:00pm. Reception 2-4pm.

contact: Mickey Myers : mickey@bryangallery.org

Time: 5/3/18 11:00am - 6/24/18 4:00pm
Location: Bryan Memorial Gallery, Jeffersonville
May
12
2018
– THRU –
Jun
24
2018

New Exhibit Opens at MGFA: Bruce Campbell, Thinking the Cosmos

New Exhibit Opens at MGFA: Bruce Campbell, Thinking the Cosmos Vermont Arts 2018
Description:

May 12- June 24: Mitchell • Giddings Fine Arts is pleased to feature sculptor Bruce Campbell’s “Thinking the Cosmos: Kinetic Sculpture”. An opening reception will take place Saturday, May 12 from 5:30-8pm, with an Artist Talk scheduled for Saturday, June 9th at 5:30pm.

Bruce Campbell graduated from Syracuse University with a BFA in printmaking and received an MFA from Indiana University. In the early ‘70s Campbell began designing books and manuscripts, and soon he was specializing in the design of art museum books and catalogues. For thirty years his clients included The Metropolitan Museum of Art, National Gallery of Art, The Peabody Museum, and The Museum of Fine Arts, Houston, among others.

In 1976 Campbell was fascinated by the Whitney Museum retrospective exhibition, “Calder’s Universe”, which invited Campbell to experiment with wires joined and twisted into imaginative shapes, suggesting an art form which defines and controls space through three-dimensional line drawing.

“My ideas for kinetic sculpture usually begin as a question. For example, how can I show a certain concept of the universe? They attempt to illustrate, in the simplest way possible, conditions and events of the natural world. In showing a falling star, a lunar eclipse, or a rainstorm, I am trying to represent, in minimalist and transparent form, my perception of the universe - how the universe might be visualized if moved by gears, levers, and basic mechanics.” Visually stunning and interactively entertaining, Campbell’s kinetic sculptures illuminate/illustrate the dynamic relationships of phonomenal elements in the natural and celestial world, bridging physics, mechanics and aesthetics to create treasured pieces of pure wonderment.

Mitchell • Giddings Fine Arts is committed to presenting innovative, contemporary works that stimulate and challenge both the seasoned collector and aesthetic explorer.

Time: 5/12/18 5:00pm - 6/24/18 5:00pm
Location: Mitchell • Giddings Fine Arts, Brattleboro
Apr
3
2018
– THRU –
Jun
28
2018

The Effects of Bird Song on Shifting Strata - Paintings by Tom Merwin

The Effects of Bird Song on Shifting Strata - Paintings by Tom Merwin Vermont Arts 2018
Description:

Merwin’s exhibit of oil paintings explodes with color and light. This series of over 18 pieces was created from 2015 to the present and celebrates the rites of spring in its color and vibrancy. Opening reception April 4, 4:00-7:00 PM. Montpelier Art Walk May 4, 4:00-7:00 PM.

Time: 4/3/18 8:00am - 6/28/18 4:30pm
Location: Vermont Supreme Court Gallery, 111 State Street, Montpelier
Apr
3
2018
– THRU –
Jun
28
2018

For the Love of Vermont - Paintings by Carolyn Egeli

For the Love of Vermont - Paintings by Carolyn Egeli Vermont Arts 2018
Description:

Braintree painter Carolyn Egeli exhibits her oil paintings celebrating Vermont and its people through landscapes and portraits. Opening reception April 4, 4:00-7:00 PM. Montpelier Art Walk May 4, 4:00-7:00 PM. Photo ID required for entry.

Time: 4/3/18 8:00am - 6/28/18 4:30pm
Location: Governor's Gallery, 109 State Street, Montpelier
May
1
2018
– THRU –
Jun
29
2018

Ronald Slayton:Master of Watercolor

Ronald Slayton:Master of Watercolor Vermont Arts 2018
Description:

The T. W. Wood Gallery at 46 Barre St. in Montpelier, Vermont, is pleased to announce an important exhibit, Ronald Slayton: Master of Watercolor from May 1, 2018 through June 29, 2018. Slayton (1910-1992) was born in Barre, Vermont. During the Great Depression he worked as an artist in the Vermont Division of the Federally funded Works Progress Administration (WPA) from 1936-1939. W.C. Lipke once commented that Slayton “has been a painter, poet, dramatist, educator, politician, gallery director, peace activist, humorist, critic and historian suggest that the single appellation 'artist' is not broad enough to encompass his many achievements.” There will be a celebratory free public opening reception at the Gallery on Friday, May 4, from 5:00-8:00 pm and an Art Talk at 6:00 pm with a panel that will include Nancy Graff, Bobby Gosh, Tom Slayton and Phillip Robertson.

The Ronald Slayton exhibit will highlight two watercolor murals “The Last Supper” (1985) and “The Hunger Dream” (1985). Figures in “The Hunger Dream” The majority of Slayton's works in this exhibit are from the private collection of Billi and Bobby Gosh. They have included twelve of Slayton's later watercolors that will be for sale with 100% of the sales being generously donated to the Gallery.

Time: 5/1/18 12:00pm - 6/29/18 4:00pm
Location: T.W. Wood Gallery, Montpelier
May
4
2018
– THRU –
Jun
29
2018

Artists to Watch Part II

Artists to Watch Part II Vermont Arts 2018
Description:

This two-part exhibit of contemporary Vermont art is a collaboration between the Vermont Arts Council, Ric Kasini Kadour, and six guest curators. The 25 artists included come from all across the state and were identified as being on the verge of great work. Part II includes work by: work by Robert Gold (Burlington), August Burns (Middlesex), Jean Cherouny (South Burlington), Caroline Tavelli-Abar(Rochester), Sam Talbot-Kelly (Montpelier), Vanessa Compton (Greensboro), Hannah Morris (Barre), Angelo Arnold(Montpelier), Erika Senft Miller (Colchester), Renee Greenlee (Burlington), and Rose Umerlik (Jeffersonville).

 

Gallery hours are 8:30 a.m.-4:30 p.m. Monday-Friday. Call ahead to ensure conference room is available for viewing.

Time: 5/4/18 4:30pm - 6/29/18 4:30pm
Location: Spotlight Gallery at Vermont Arts Council, Montpelier
May
6
2018
– THRU –
Jun
29
2018

Rachel Moore - Traces

Rachel Moore - Traces Vermont Arts 2018
Description:

Rachel Moore - Traces
On view: May 6 through June 29, 2018

EDGEWATER GALLERY at Stowe
151 Main Street • Stowe, Vermont • 802.760.6785

Edgewater Gallery at Stowe unveils a special selection from Rachel Moore’s complete body of work with brand new sculptural pieces in her solo exhibition Traces . The exhibition will be on view May 6th through June 29th, with a reception on Friday, May 11th from 5:30-7:00pm. The artist talk will begin at 6:00pm.

Moore’s work is steeped in careful attention to pattern language and shifts. Her materials range from watercolor and graphite on paper, to blown and cast glass, to ink on vellum and more. Traces ties together many thematic patterns in the artist’s work honoring the environment with a dialogue on prevailing conditions. Minimalist in color, her installations are infinitely rich in carefully considered materials and surfaces with an ethereal elegance and sophistication. Paying homage to presence in absence, many of her sculptural pieces refer to measurable data in climate change as well as migration patterns. Each movement, memory, presence and energy leaves a trace. This exhibition echoes traces of beauty in our global community.

Rachel Moore is a multidisciplinary artist working in mixed media sculpture, installation, drawing, and social practice. Moore uses maps, cultural and religious icons, text, and sculptural replications of objects from daily life to respond to social and political movements, often in poetic and haunting ways. In her social practice, she has used storytelling to create relationships of understanding and as a way to bring awareness to multicultural histories, in some cases, asserting a culture’s rightful place in history.

Moore’s work has been featured in international museums and galleries, on Art21’s “Inside the Artist’s Studio” and she is the recipient of numerous grants and awards.The artist is represented by Edgewater Gallery, Stowe, VT; Stewart Gallery, Boise, ID; and Traver Gallery, Seattle, WA. She lives and works in Vermont.

For further information on Rachel Moore and her exhibition, please call the gallery at 802-760-6785, email Kelly Holt (kelly@edgewatergallery-vt.com), or visit edgewatergallery-vt.com.

Edgewater Gallery at Stowe hours:
Wednesday-Thursday 10am-5pm, Friday-Saturday 10am-6pm, Sunday 10am-4pm. Closed Monday & Tuesday.

Location: Edgewater Gallery, Stowe
Feb
27
2018
– THRU –
Jun
30
2018

Vermont Landscapes

Vermont Landscapes Vermont Arts 2018
Description:

Vermont Landscapes, a selection of paintings of Vermont, is installed in the public spaces of Lamoille County Courthouse through June 30. Organized by Bryan Memorial Gallery, the exhibition includes oils, watercolors, monoprints, pastels, and acrylics. The Courthouse is open to guests, except between noon and 12:30. There is no charge for this exhibit. Image is from a watercolor by Vladimir Vagin.

Time: 2/27/18 8:00am - 6/30/18 4:30pm
Location: Lamoille County Courthouse, Hyde Park