Skip to Content

Looks like you're using an outdated browser!

For the best experience browsing our site, please use a modern web browser such as Google Chrome, Mozilla Firefox, or Microsoft Edge.

Arts Calendar: Film




Saturday, April 20, 2019

prev day next day

Dogman Screening

Dogman Screening

The Hirschfield International Film Series presents a screening of Dogman. In Italian with English subtitles.

Two showings: 3-5 pm and 8-10 pm

(Matteo Garrone, Italy | France, 2018, 1h 43min) Free

In a seaside village on the outskirts of an Italian city, where the only law seems to be survival of the fittest, Marcello is a slight, mild-mannered man who divides his days between working at his modest dog grooming salon, caring for his daughter Alida, and being coerced into the petty criminal schemes of the local bully Simoncino, an ex-boxer who terrorizes the neighborhood. When Simoncino’s abuse finally brings Marcello to a breaking point, he decides to stand up for his own dignity through an act of vengeance, with unintended consequences.


As often happens in my films, at the beginning of Dogman, there’s a visual suggestion, an image, an inversion of perspective: that of some dogs, locked inside cages, that act as witnesses to the explosion of human brutality… an image that goes back to ten years ago, when, for the first time, I thought about making this film. But was it really this film?

Hard to say, because over time, Dogman changed along with me, becoming a film that was always new, always different. Some of the original ideas made it to the end, but they don’t exhaust, for me, the more profound meaning of the story that I wanted to tell; Dogman, for example, is not simply a film about vengeance, even if vengeance (or better yet, redemption) plays an important role, just as it’s also not solely a variation on the (eternal) theme of the struggle between weak and strong.

Instead, it’s a film that, despite having an “extreme” story, puts forward something that concerns all of us: the consequences of the daily choices we make in order to survive, of the yesses that we say which bring us to no longer being able to say no, to the difference between who we are and who we believe we are. Through this examination of the profound, by bringing us up close to a man’s loss of innocence, I think the film is universal, “ethical” but not moralistic: because of this, it’s important for me to underline the distance the film has from the news story that liberally inspired it. Everything, starting from the locations, the characters, their psychologies, has been transfigured.

4/20/19 3:00pm - 5:00pm

Sunderland Language Center, Dana Auditorium, Middlebury, Middlebury


Film: Apollo 11

Film: Apollo 11

Crafted from a newly discovered trove of 65mm footage, and more than 11,000 hours of uncatalogued audio recordings, Apollo 11 takes us straight to the heart of NASA’s most celebrated mission—the one that first put men on the moon, and forever made Neil Armstrong and Buzz Aldrin into household names. Immersed in the perspectives of the astronauts, the team in Mission Control, and the millions of spectators on the ground, we vividly experience those momentous days and hours in 1969 when humankind took a giant leap into the future.

Directed by Todd Douglas Miller.

4/20/19 7:30pm - 9:00pm

Pentangle Arts Council, Hall Theatre 31 The Green, Woodstock

– THRU –

Imperfect Societies

Imperfect Societies

Featuring film and photography, Imperfect Societies probes themes of history, trauma, and nationhood set within the trope of science fiction. In Icarus 13: The First Journey to the Sun, Kiluanji Kia Henda plunges viewers into parallel traditions at pivotal movements in Angolan history, from the politics of Marxism-Leninism to the practice of witchcraft, as told within sci-fi narratives of the Cold War. Henda employs a sense of humor and criticality in his videos and photography, which often investigates themes of identity, politics, and perceptions of post-colonialism and modernism in Africa. Vietnamese-born artist Tuan Andrew Nguyen’s work questions the individual’s relationship to history, nationhood, and cultural displacement. In Nguyen’s short film The Island, shot on the Malaysian island Pulau Bidong (once the largest and longest-operating refugee camp after the Vietnam War that also housed Nguyen and his family) we encounter a dystopian future focused on the last two people on earth.

Artist Reception: Friday, February 22, 5-8 p.m.

Imperfect Societies is supported in part by the National Endowment for the Arts. Tuan Andrew Nguyen’s The Island courtesy for the artist and James Cohan, New York.

2/22/19 5:00pm - 6/9/19 5:00pm

135 Church Street, Burlington