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Arts Calendar: Visual Arts in Southern Vermont

Tuesday, May 21, 2019
May
20
2019
– THRU –
May
28
2019

Carrie Gelfan: Paintings 2008 - 2018

Carrie Gelfan: Paintings 2008 - 2018
Description:

Carrie Gelfan: Paintings 2008 - 2018
Exhibition May 20 - June 28
Artist Reception: 5:30 to 7 pm o Thursday, May 23 at Main Street Arts in Saxtons River, VT

Carrie Gelfan
Presenting oil paintings from the past ten years. With a few exceptions, works include nudes, portraits, and “groupings”, which are paintings inspired by old photos of friends and family.

Artist Bio
Carrie Gelfan earned a B. A. in Fine Art from Antioch College in Yellow Springs, Ohio. She also studied at the Art Students League in New York, and Cabrillo Jr. College in Soquel, Ca. At the Art Students League she studied with portrait artist William Draper and with Will Barnett.

For the most part, Gelfan’s work is figurative and includes many portraits and groupings of friends and family members, some from life and some from old photos. Drawing is an essential part of Gelfan’s work, and all of her paintings are preceded by drawings, often many. She has been a member of two life drawing groups in the Putney area, and many of her charcoal life drawings have become the basis of later paintings.

Gelfan’s work has been shown in numerous Vermont, New Hampshire, and on-line venues including the Thorne- Sagendorf Gallery, Stratton Arts Festival, Norwich University, Women to Watch 2010, West Branch Gallery, Crowell Art Gallery, Catherine Dianich Gallery, Hooker Dunham Gallery, and Figure50.com. In addition she has been awarded two fellowships at the Vermont Studio Center’s Vermont Week. Gelfan is currently affiliated with the Oxbow Gallery in Northampton, MA. Carrie Gelfan lives in Westminster, VT with her husband and his cat.

Artist Statement
Why do I paint? I paint because I like to create and make things. I like the feel of manipulating paint around the surface of whatever I am working on. I enjoy working alone and independently.

I mostly do figurative work and have always enjoyed painting portraits. I like painting people (and sometimes animals), because it allows me to create an intimacy with my subjects in a very safe way, one where I am in control of the relationship.

Photographs or drawings are usually the starting point for my paintings. The “Groupings”, which are paintings of two or more figures, are inspired by old photos of friends and family or from life drawings I have done. In several of these I have taken figures from more than one photo or drawing, grouping them together. I am not particularly interested in getting true likenesses of the subjects in these paintings. Instead my goal is to create an interesting dynamic between the figures, an essence or atmosphere, and also some mystery, intrigue, or even ambiguity about their situation or relationship. This is also true of the straight portraits, though striving for a likeness of the subject comes more into play.

All of this said, the real subject of my paintings is the paint itself and the dance of painting. The figures are mostly a vehicle for me to express myself with paint. I am interested in how the paint sits on the canvas, its consistency, the relationship of the various colors on the canvas, the spontaneity and rhythm of the brush strokes and lines….. all the abstract elements of the painting.

I feel like I am always learning and re-learning how to paint. Each painting is a struggle and often feels like I am starting from scratch again. Or perhaps it’s more accurate to say that with each painting I take two steps forward, and then fall one step back the next time I start anew.

Carrie Gelfan
May, 2019

Time: 5/20/19 9:00am - 5/28/19 3:00pm
Location: Main Street Arts, Saxtons River
May
18
2019
– THRU –
Jun
30
2019

The Vermont Watercolor Society Does Wildlife!

The Vermont Watercolor Society Does Wildlife!
Description:

The gallery is open Tuesday through Saturday 10am to 5pm and Sundays from 12-5pm.

The opening reception is May 18th from 2:00-4:00

Location: Southern Vermont Art Center, Manchester
Wednesday, May 22, 2019
May
20
2019
– THRU –
May
28
2019

Carrie Gelfan: Paintings 2008 - 2018

Carrie Gelfan: Paintings 2008 - 2018
Description:

Carrie Gelfan: Paintings 2008 - 2018
Exhibition May 20 - June 28
Artist Reception: 5:30 to 7 pm o Thursday, May 23 at Main Street Arts in Saxtons River, VT

Carrie Gelfan
Presenting oil paintings from the past ten years. With a few exceptions, works include nudes, portraits, and “groupings”, which are paintings inspired by old photos of friends and family.

Artist Bio
Carrie Gelfan earned a B. A. in Fine Art from Antioch College in Yellow Springs, Ohio. She also studied at the Art Students League in New York, and Cabrillo Jr. College in Soquel, Ca. At the Art Students League she studied with portrait artist William Draper and with Will Barnett.

For the most part, Gelfan’s work is figurative and includes many portraits and groupings of friends and family members, some from life and some from old photos. Drawing is an essential part of Gelfan’s work, and all of her paintings are preceded by drawings, often many. She has been a member of two life drawing groups in the Putney area, and many of her charcoal life drawings have become the basis of later paintings.

Gelfan’s work has been shown in numerous Vermont, New Hampshire, and on-line venues including the Thorne- Sagendorf Gallery, Stratton Arts Festival, Norwich University, Women to Watch 2010, West Branch Gallery, Crowell Art Gallery, Catherine Dianich Gallery, Hooker Dunham Gallery, and Figure50.com. In addition she has been awarded two fellowships at the Vermont Studio Center’s Vermont Week. Gelfan is currently affiliated with the Oxbow Gallery in Northampton, MA. Carrie Gelfan lives in Westminster, VT with her husband and his cat.

Artist Statement
Why do I paint? I paint because I like to create and make things. I like the feel of manipulating paint around the surface of whatever I am working on. I enjoy working alone and independently.

I mostly do figurative work and have always enjoyed painting portraits. I like painting people (and sometimes animals), because it allows me to create an intimacy with my subjects in a very safe way, one where I am in control of the relationship.

Photographs or drawings are usually the starting point for my paintings. The “Groupings”, which are paintings of two or more figures, are inspired by old photos of friends and family or from life drawings I have done. In several of these I have taken figures from more than one photo or drawing, grouping them together. I am not particularly interested in getting true likenesses of the subjects in these paintings. Instead my goal is to create an interesting dynamic between the figures, an essence or atmosphere, and also some mystery, intrigue, or even ambiguity about their situation or relationship. This is also true of the straight portraits, though striving for a likeness of the subject comes more into play.

All of this said, the real subject of my paintings is the paint itself and the dance of painting. The figures are mostly a vehicle for me to express myself with paint. I am interested in how the paint sits on the canvas, its consistency, the relationship of the various colors on the canvas, the spontaneity and rhythm of the brush strokes and lines….. all the abstract elements of the painting.

I feel like I am always learning and re-learning how to paint. Each painting is a struggle and often feels like I am starting from scratch again. Or perhaps it’s more accurate to say that with each painting I take two steps forward, and then fall one step back the next time I start anew.

Carrie Gelfan
May, 2019

Time: 5/20/19 9:00am - 5/28/19 3:00pm
Location: Main Street Arts, Saxtons River
Apr
27
2019
– THRU –
Jun
9
2019

David Rohn: Watercolors

David Rohn: Watercolors
Description:

David Rohn was born in Chicago in 1934 and grew up in the small town of Ludington, along the shore of Lake Michigan. He graduated from the University of Michigan College of Architecture and Design and stepped into a creative life richly lived as cartoonist, puppeteer, printmaker, teacher and painter.

Running parallel to his explorations in abstract painting and printmaking, and during his tenure at Windham College in Putney, Vermont, in the mid-1960s and ’70s, David’s watercolor painting gave relief from the more formal demands and cultural mandates of artistic invention and novelty of non-figurative oil painting. The delicate washes and expansive passages of color represent liberation from an art world of expectation and judgement. His modest still-lifes are deceptively loose and easy, and we’re comforted by the associations we bring to his unassuming and familiar scenes.

In 1953, I was the kid who was good at drawing, actually one of three in eighth grade. I did airplanes. After hundreds of airplanes, then dozens of cartoons, I was introduced to looking at paintings. I began to learn about the language of visual art: not depiction, but the secret language—form, color, symmetry, rhythm. This felt fundamental.

I thought I might give it a go.

There are other secret languages in art, of course, including some I don’t quite grasp. Art, done well, Is a way of twanging the mind, and the mind is infinitely resonant. Who knows what’s coming next? For me it’s mainly the classical ideas of form/color/architecture, plus the paradox of 3-D on a 2-D surface that Cézanne calls attention to.

Working from observation offers an endless variety of visual situations, and has the bonus of requiring prolonged intimate contact with plain stuff—a jar, an apple. I begin by gathering in. I yield to it. Later, I play with what I have harvested, playing the dialogue between the parts.

Sometimes a dynamic equilibrium results—a perpetually self-charging energy source. That’s the goal.

Location: Mitchell-Giddings Fine Arts, 183 Main Street, Brattleboro
May
8
2019
– THRU –
Jun
23
2019

Grasp the Sparrow's Tail

Grasp the Sparrow's Tail
Description:

The shows will run from May 8 – June 23, 2019 with an opening reception for both on Saturday, May 11 from 3-5pm. Exhibition of photography by Cathy Cone.

Time: 5/8/19 10:00am - 6/23/19 5:00pm
Location: BigTown Gallery, 99 N. Main St., Rochester
May
8
2019
– THRU –
Jun
23
2019

Pilgrimage

Pilgrimage
Description:

The show will run from May 8 – June 23, 2019 with an opening reception for on Saturday, May 11 from 3-5pm. Exhibition of mixed-media paintings by outsider artist, Jason Horwitz.

Time: 5/8/19 10:00am - 6/23/19 5:00pm
Location: BigTown Gallery, 99 N. Main Street, Rochester
May
18
2019
– THRU –
Jun
30
2019

The Vermont Watercolor Society Does Wildlife!

The Vermont Watercolor Society Does Wildlife!
Description:

The gallery is open Tuesday through Saturday 10am to 5pm and Sundays from 12-5pm.

The opening reception is May 18th from 2:00-4:00

Location: Southern Vermont Art Center, Manchester
Thursday, May 23, 2019
May
23
2019

Sip & Paint – May Flowers

Sip & Paint – May Flowers
Description:

Green Mountain Academy for Lifelong Learning (GMALL) is happy to welcome back artist and teacher Anharad Llewelyn to lead this sip and paint workshop. Enjoy wine and cheese while Anharad leads you through the steps of good composition and color theory. You are guaranteed to have fun while sipping and painting your colorful masterpiece, featuring a lovely vase of tulips by artist Kelley MacDonald. The fee is $35 for the workshop and includes all materials. For more information or to register, please call 802-867-0111 or visit our website at www.greenmtnacademy.org.

Time: 5/23/19 6:00pm - 8:00pm
Location: Long Trail School Art Room, Dorset
May
20
2019
– THRU –
May
28
2019

Carrie Gelfan: Paintings 2008 - 2018

Carrie Gelfan: Paintings 2008 - 2018
Description:

Carrie Gelfan: Paintings 2008 - 2018
Exhibition May 20 - June 28
Artist Reception: 5:30 to 7 pm o Thursday, May 23 at Main Street Arts in Saxtons River, VT

Carrie Gelfan
Presenting oil paintings from the past ten years. With a few exceptions, works include nudes, portraits, and “groupings”, which are paintings inspired by old photos of friends and family.

Artist Bio
Carrie Gelfan earned a B. A. in Fine Art from Antioch College in Yellow Springs, Ohio. She also studied at the Art Students League in New York, and Cabrillo Jr. College in Soquel, Ca. At the Art Students League she studied with portrait artist William Draper and with Will Barnett.

For the most part, Gelfan’s work is figurative and includes many portraits and groupings of friends and family members, some from life and some from old photos. Drawing is an essential part of Gelfan’s work, and all of her paintings are preceded by drawings, often many. She has been a member of two life drawing groups in the Putney area, and many of her charcoal life drawings have become the basis of later paintings.

Gelfan’s work has been shown in numerous Vermont, New Hampshire, and on-line venues including the Thorne- Sagendorf Gallery, Stratton Arts Festival, Norwich University, Women to Watch 2010, West Branch Gallery, Crowell Art Gallery, Catherine Dianich Gallery, Hooker Dunham Gallery, and Figure50.com. In addition she has been awarded two fellowships at the Vermont Studio Center’s Vermont Week. Gelfan is currently affiliated with the Oxbow Gallery in Northampton, MA. Carrie Gelfan lives in Westminster, VT with her husband and his cat.

Artist Statement
Why do I paint? I paint because I like to create and make things. I like the feel of manipulating paint around the surface of whatever I am working on. I enjoy working alone and independently.

I mostly do figurative work and have always enjoyed painting portraits. I like painting people (and sometimes animals), because it allows me to create an intimacy with my subjects in a very safe way, one where I am in control of the relationship.

Photographs or drawings are usually the starting point for my paintings. The “Groupings”, which are paintings of two or more figures, are inspired by old photos of friends and family or from life drawings I have done. In several of these I have taken figures from more than one photo or drawing, grouping them together. I am not particularly interested in getting true likenesses of the subjects in these paintings. Instead my goal is to create an interesting dynamic between the figures, an essence or atmosphere, and also some mystery, intrigue, or even ambiguity about their situation or relationship. This is also true of the straight portraits, though striving for a likeness of the subject comes more into play.

All of this said, the real subject of my paintings is the paint itself and the dance of painting. The figures are mostly a vehicle for me to express myself with paint. I am interested in how the paint sits on the canvas, its consistency, the relationship of the various colors on the canvas, the spontaneity and rhythm of the brush strokes and lines….. all the abstract elements of the painting.

I feel like I am always learning and re-learning how to paint. Each painting is a struggle and often feels like I am starting from scratch again. Or perhaps it’s more accurate to say that with each painting I take two steps forward, and then fall one step back the next time I start anew.

Carrie Gelfan
May, 2019

Time: 5/20/19 9:00am - 5/28/19 3:00pm
Location: Main Street Arts, Saxtons River
Apr
27
2019
– THRU –
Jun
9
2019

David Rohn: Watercolors

David Rohn: Watercolors
Description:

David Rohn was born in Chicago in 1934 and grew up in the small town of Ludington, along the shore of Lake Michigan. He graduated from the University of Michigan College of Architecture and Design and stepped into a creative life richly lived as cartoonist, puppeteer, printmaker, teacher and painter.

Running parallel to his explorations in abstract painting and printmaking, and during his tenure at Windham College in Putney, Vermont, in the mid-1960s and ’70s, David’s watercolor painting gave relief from the more formal demands and cultural mandates of artistic invention and novelty of non-figurative oil painting. The delicate washes and expansive passages of color represent liberation from an art world of expectation and judgement. His modest still-lifes are deceptively loose and easy, and we’re comforted by the associations we bring to his unassuming and familiar scenes.

In 1953, I was the kid who was good at drawing, actually one of three in eighth grade. I did airplanes. After hundreds of airplanes, then dozens of cartoons, I was introduced to looking at paintings. I began to learn about the language of visual art: not depiction, but the secret language—form, color, symmetry, rhythm. This felt fundamental.

I thought I might give it a go.

There are other secret languages in art, of course, including some I don’t quite grasp. Art, done well, Is a way of twanging the mind, and the mind is infinitely resonant. Who knows what’s coming next? For me it’s mainly the classical ideas of form/color/architecture, plus the paradox of 3-D on a 2-D surface that Cézanne calls attention to.

Working from observation offers an endless variety of visual situations, and has the bonus of requiring prolonged intimate contact with plain stuff—a jar, an apple. I begin by gathering in. I yield to it. Later, I play with what I have harvested, playing the dialogue between the parts.

Sometimes a dynamic equilibrium results—a perpetually self-charging energy source. That’s the goal.

Location: Mitchell-Giddings Fine Arts, 183 Main Street, Brattleboro
May
11
2019
– THRU –
Jun
22
2019

Retrospective of Two Generations

Retrospective of Two Generations
Description:

Hallie Richards Monroe's stained glass work uses contemporary and traditional vitreous glass painting techniques, that are fired in a kiln and are fused to the surface of the glass. Sometimes she uses sand blasting and etching with hydrofluoric acid to effect the surface of the glass. Then the glass pieces are assembled into a stained glass panel, using cooper foil or lead came to hold all the puzzle pieces together. Hallie's passion of illustration gives me the desire to incorporate conceptual imagery and the beauty of nature into most of her artwork. She has been doing stained glass commissions for over 35 years.

Time: 5/11/19 12:00pm - 6/22/19 6:00pm
Location: Castleton University Bank Gallery, Rutland
May
8
2019
– THRU –
Jun
23
2019

Pilgrimage

Pilgrimage
Description:

The show will run from May 8 – June 23, 2019 with an opening reception for on Saturday, May 11 from 3-5pm. Exhibition of mixed-media paintings by outsider artist, Jason Horwitz.

Time: 5/8/19 10:00am - 6/23/19 5:00pm
Location: BigTown Gallery, 99 N. Main Street, Rochester
May
8
2019
– THRU –
Jun
23
2019

Grasp the Sparrow's Tail

Grasp the Sparrow's Tail
Description:

The shows will run from May 8 – June 23, 2019 with an opening reception for both on Saturday, May 11 from 3-5pm. Exhibition of photography by Cathy Cone.

Time: 5/8/19 10:00am - 6/23/19 5:00pm
Location: BigTown Gallery, 99 N. Main St., Rochester
May
18
2019
– THRU –
Jun
30
2019

The Vermont Watercolor Society Does Wildlife!

The Vermont Watercolor Society Does Wildlife!
Description:

The gallery is open Tuesday through Saturday 10am to 5pm and Sundays from 12-5pm.

The opening reception is May 18th from 2:00-4:00

Location: Southern Vermont Art Center, Manchester
Friday, May 24, 2019
May
20
2019
– THRU –
May
28
2019

Carrie Gelfan: Paintings 2008 - 2018

Carrie Gelfan: Paintings 2008 - 2018
Description:

Carrie Gelfan: Paintings 2008 - 2018
Exhibition May 20 - June 28
Artist Reception: 5:30 to 7 pm o Thursday, May 23 at Main Street Arts in Saxtons River, VT

Carrie Gelfan
Presenting oil paintings from the past ten years. With a few exceptions, works include nudes, portraits, and “groupings”, which are paintings inspired by old photos of friends and family.

Artist Bio
Carrie Gelfan earned a B. A. in Fine Art from Antioch College in Yellow Springs, Ohio. She also studied at the Art Students League in New York, and Cabrillo Jr. College in Soquel, Ca. At the Art Students League she studied with portrait artist William Draper and with Will Barnett.

For the most part, Gelfan’s work is figurative and includes many portraits and groupings of friends and family members, some from life and some from old photos. Drawing is an essential part of Gelfan’s work, and all of her paintings are preceded by drawings, often many. She has been a member of two life drawing groups in the Putney area, and many of her charcoal life drawings have become the basis of later paintings.

Gelfan’s work has been shown in numerous Vermont, New Hampshire, and on-line venues including the Thorne- Sagendorf Gallery, Stratton Arts Festival, Norwich University, Women to Watch 2010, West Branch Gallery, Crowell Art Gallery, Catherine Dianich Gallery, Hooker Dunham Gallery, and Figure50.com. In addition she has been awarded two fellowships at the Vermont Studio Center’s Vermont Week. Gelfan is currently affiliated with the Oxbow Gallery in Northampton, MA. Carrie Gelfan lives in Westminster, VT with her husband and his cat.

Artist Statement
Why do I paint? I paint because I like to create and make things. I like the feel of manipulating paint around the surface of whatever I am working on. I enjoy working alone and independently.

I mostly do figurative work and have always enjoyed painting portraits. I like painting people (and sometimes animals), because it allows me to create an intimacy with my subjects in a very safe way, one where I am in control of the relationship.

Photographs or drawings are usually the starting point for my paintings. The “Groupings”, which are paintings of two or more figures, are inspired by old photos of friends and family or from life drawings I have done. In several of these I have taken figures from more than one photo or drawing, grouping them together. I am not particularly interested in getting true likenesses of the subjects in these paintings. Instead my goal is to create an interesting dynamic between the figures, an essence or atmosphere, and also some mystery, intrigue, or even ambiguity about their situation or relationship. This is also true of the straight portraits, though striving for a likeness of the subject comes more into play.

All of this said, the real subject of my paintings is the paint itself and the dance of painting. The figures are mostly a vehicle for me to express myself with paint. I am interested in how the paint sits on the canvas, its consistency, the relationship of the various colors on the canvas, the spontaneity and rhythm of the brush strokes and lines….. all the abstract elements of the painting.

I feel like I am always learning and re-learning how to paint. Each painting is a struggle and often feels like I am starting from scratch again. Or perhaps it’s more accurate to say that with each painting I take two steps forward, and then fall one step back the next time I start anew.

Carrie Gelfan
May, 2019

Time: 5/20/19 9:00am - 5/28/19 3:00pm
Location: Main Street Arts, Saxtons River
Apr
27
2019
– THRU –
Jun
9
2019

David Rohn: Watercolors

David Rohn: Watercolors
Description:

David Rohn was born in Chicago in 1934 and grew up in the small town of Ludington, along the shore of Lake Michigan. He graduated from the University of Michigan College of Architecture and Design and stepped into a creative life richly lived as cartoonist, puppeteer, printmaker, teacher and painter.

Running parallel to his explorations in abstract painting and printmaking, and during his tenure at Windham College in Putney, Vermont, in the mid-1960s and ’70s, David’s watercolor painting gave relief from the more formal demands and cultural mandates of artistic invention and novelty of non-figurative oil painting. The delicate washes and expansive passages of color represent liberation from an art world of expectation and judgement. His modest still-lifes are deceptively loose and easy, and we’re comforted by the associations we bring to his unassuming and familiar scenes.

In 1953, I was the kid who was good at drawing, actually one of three in eighth grade. I did airplanes. After hundreds of airplanes, then dozens of cartoons, I was introduced to looking at paintings. I began to learn about the language of visual art: not depiction, but the secret language—form, color, symmetry, rhythm. This felt fundamental.

I thought I might give it a go.

There are other secret languages in art, of course, including some I don’t quite grasp. Art, done well, Is a way of twanging the mind, and the mind is infinitely resonant. Who knows what’s coming next? For me it’s mainly the classical ideas of form/color/architecture, plus the paradox of 3-D on a 2-D surface that Cézanne calls attention to.

Working from observation offers an endless variety of visual situations, and has the bonus of requiring prolonged intimate contact with plain stuff—a jar, an apple. I begin by gathering in. I yield to it. Later, I play with what I have harvested, playing the dialogue between the parts.

Sometimes a dynamic equilibrium results—a perpetually self-charging energy source. That’s the goal.

Location: Mitchell-Giddings Fine Arts, 183 Main Street, Brattleboro
May
11
2019
– THRU –
Jun
22
2019

Retrospective of Two Generations

Retrospective of Two Generations
Description:

Hallie Richards Monroe's stained glass work uses contemporary and traditional vitreous glass painting techniques, that are fired in a kiln and are fused to the surface of the glass. Sometimes she uses sand blasting and etching with hydrofluoric acid to effect the surface of the glass. Then the glass pieces are assembled into a stained glass panel, using cooper foil or lead came to hold all the puzzle pieces together. Hallie's passion of illustration gives me the desire to incorporate conceptual imagery and the beauty of nature into most of her artwork. She has been doing stained glass commissions for over 35 years.

Time: 5/11/19 12:00pm - 6/22/19 6:00pm
Location: Castleton University Bank Gallery, Rutland
May
8
2019
– THRU –
Jun
23
2019

Grasp the Sparrow's Tail

Grasp the Sparrow's Tail
Description:

The shows will run from May 8 – June 23, 2019 with an opening reception for both on Saturday, May 11 from 3-5pm. Exhibition of photography by Cathy Cone.

Time: 5/8/19 10:00am - 6/23/19 5:00pm
Location: BigTown Gallery, 99 N. Main St., Rochester
May
8
2019
– THRU –
Jun
23
2019

Pilgrimage

Pilgrimage
Description:

The show will run from May 8 – June 23, 2019 with an opening reception for on Saturday, May 11 from 3-5pm. Exhibition of mixed-media paintings by outsider artist, Jason Horwitz.

Time: 5/8/19 10:00am - 6/23/19 5:00pm
Location: BigTown Gallery, 99 N. Main Street, Rochester
May
18
2019
– THRU –
Jun
30
2019

The Vermont Watercolor Society Does Wildlife!

The Vermont Watercolor Society Does Wildlife!
Description:

The gallery is open Tuesday through Saturday 10am to 5pm and Sundays from 12-5pm.

The opening reception is May 18th from 2:00-4:00

Location: Southern Vermont Art Center, Manchester
Saturday, May 25, 2019
Apr
27
2019
– THRU –
Jun
9
2019

David Rohn: Watercolors

David Rohn: Watercolors
Description:

David Rohn was born in Chicago in 1934 and grew up in the small town of Ludington, along the shore of Lake Michigan. He graduated from the University of Michigan College of Architecture and Design and stepped into a creative life richly lived as cartoonist, puppeteer, printmaker, teacher and painter.

Running parallel to his explorations in abstract painting and printmaking, and during his tenure at Windham College in Putney, Vermont, in the mid-1960s and ’70s, David’s watercolor painting gave relief from the more formal demands and cultural mandates of artistic invention and novelty of non-figurative oil painting. The delicate washes and expansive passages of color represent liberation from an art world of expectation and judgement. His modest still-lifes are deceptively loose and easy, and we’re comforted by the associations we bring to his unassuming and familiar scenes.

In 1953, I was the kid who was good at drawing, actually one of three in eighth grade. I did airplanes. After hundreds of airplanes, then dozens of cartoons, I was introduced to looking at paintings. I began to learn about the language of visual art: not depiction, but the secret language—form, color, symmetry, rhythm. This felt fundamental.

I thought I might give it a go.

There are other secret languages in art, of course, including some I don’t quite grasp. Art, done well, Is a way of twanging the mind, and the mind is infinitely resonant. Who knows what’s coming next? For me it’s mainly the classical ideas of form/color/architecture, plus the paradox of 3-D on a 2-D surface that Cézanne calls attention to.

Working from observation offers an endless variety of visual situations, and has the bonus of requiring prolonged intimate contact with plain stuff—a jar, an apple. I begin by gathering in. I yield to it. Later, I play with what I have harvested, playing the dialogue between the parts.

Sometimes a dynamic equilibrium results—a perpetually self-charging energy source. That’s the goal.

Location: Mitchell-Giddings Fine Arts, 183 Main Street, Brattleboro
May
11
2019
– THRU –
Jun
22
2019

Retrospective of Two Generations

Retrospective of Two Generations
Description:

Hallie Richards Monroe's stained glass work uses contemporary and traditional vitreous glass painting techniques, that are fired in a kiln and are fused to the surface of the glass. Sometimes she uses sand blasting and etching with hydrofluoric acid to effect the surface of the glass. Then the glass pieces are assembled into a stained glass panel, using cooper foil or lead came to hold all the puzzle pieces together. Hallie's passion of illustration gives me the desire to incorporate conceptual imagery and the beauty of nature into most of her artwork. She has been doing stained glass commissions for over 35 years.

Time: 5/11/19 12:00pm - 6/22/19 6:00pm
Location: Castleton University Bank Gallery, Rutland
May
8
2019
– THRU –
Jun
23
2019

Grasp the Sparrow's Tail

Grasp the Sparrow's Tail
Description:

The shows will run from May 8 – June 23, 2019 with an opening reception for both on Saturday, May 11 from 3-5pm. Exhibition of photography by Cathy Cone.

Time: 5/8/19 10:00am - 6/23/19 5:00pm
Location: BigTown Gallery, 99 N. Main St., Rochester
May
8
2019
– THRU –
Jun
23
2019

Pilgrimage

Pilgrimage
Description:

The show will run from May 8 – June 23, 2019 with an opening reception for on Saturday, May 11 from 3-5pm. Exhibition of mixed-media paintings by outsider artist, Jason Horwitz.

Time: 5/8/19 10:00am - 6/23/19 5:00pm
Location: BigTown Gallery, 99 N. Main Street, Rochester
May
18
2019
– THRU –
Jun
30
2019

The Vermont Watercolor Society Does Wildlife!

The Vermont Watercolor Society Does Wildlife!
Description:

The gallery is open Tuesday through Saturday 10am to 5pm and Sundays from 12-5pm.

The opening reception is May 18th from 2:00-4:00

Location: Southern Vermont Art Center, Manchester