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Arts Calendar: Visual Arts

Sunday, May 27, 2018
Apr
27
2018
– THRU –
Jun
3
2018

Spirit of Place

Spirit of Place
Description:

Join us for the SPIRIT OF PLACE show with Nori Pepe's black/white linocuts "Carving out a Place" and Kate Pond's "Flying Kites". OPENING reception is Saturday May 5 at 3pm for kite flying if the weather permits.
GreenTARA Gallery opened in 2017 in a former church and historic general store. Look for us in the village of North Hero.

Time: 4/27/18 10:00am - 6/3/18 4:00pm
Location: GreenTARA Gallery, North Hero
Apr
22
2018
– THRU –
Jun
8
2018

Resa Blatman: Trouble in Paradise

Resa Blatman: Trouble in Paradise
Description:

Catamount Celebrates Earth Day with Resa Blatman: Trouble in Paradise

On April 22, 1970, millions of people took to the streets to protest the negative impacts of pollution and heavy use of pesticides. The first national Earth Day rally resulted in the creation of the Environmental Protection Agency and passage of such robust legislation as the Clean Water and Endangered Species Acts. 48 years later, Earth Day is a global event in which more than 1 billion people in 192 countries participate in civically focused actions to bring attention to continuing threats to biodiversity and the environment. This April 22, Catamount Arts will celebrate Earth Day with the official opening of the art exhibition Resa Blatman: Trouble in Paradise.

Resa Blatman’s work is proof that eco-activism is not limited to the scientific community. In Trouble in Paradise, an exhibition of 17 elegantly crafted and exuberant paintings, the artist offers up a visual commentary on climate change and its increasing threat to migratory birds and other animal species. “Nature is full of delight and darkness, energy and decay, life and death,” observes Blatman. “I endeavor to make work that offers me and the viewer an elegiac and seductive visual feast with hints of surrender—surrender of the self, surrender of the natural world, surrender of the things we cannot control.”

Inspired by the decorative traditions of Baroque, Romantic, and Victorian art, Blatman combines paint, assemblage, and intricate laser-cut forms to create beautiful yet unsettling microenvironments. Scintillating Swamp and The Ultimate Whorl show flora and fauna bursting from the confines of the picture frame, giving evidence to the dynamic vitality of nature. But within this abundance of life, we are faced with a clear threat. Tangles of thorny branches leave little room for migratory birds to rest comfortably. The scarred earth and ominous skies in such paintings as The Fall and Heed force viewers to go beyond poetic beauty to consider what happens if nature is stressed beyond her ability to recover. While Blatman’s small worlds are undeniably lovely, they also acknowledge and warn about troubles in our natural paradise.

Resa Blatman’s intricate paintings and multi-layered installations have long been inspired by the natural world, but her most recent work explores the alarming signs of climate change—extreme weather conditions and rising water levels due to shrinking ice caps. In 2015, she was one of 29 artists, writers, and poets who sailed along the west coast of Svalbard, a Norwegian archipelago north of the Arctic Circle. During the month-long expedition, the artist hiked on glaciers, boated in and out of fjords, and collected detritus—fishing line, fishing nets, combs, toothbrushes—washed up on the shore. Upon return, Blatman created The Water Project/Rising Tide, a series of large-scale installations made from pliable hand-cut Mylar painted with latex to effectively simulate movement of ocean currents. The artist is currently planning a trip to the ice-capped landmass of Greenland, where she expects to be further inspired by her observation of the natural world.

Blatman holds a BFA from the Massachusetts College of Art and Design and an MFA from Boston University. She has exhibited widely, with solo exhibitions at galleries and universities all over the United States. She is a past recipient of a full fellowship to the Vermont Studio Center, a Blanche Coleman Award and an Artist Resource Trust Award from the Berkshire Taconic Community Foundation. Her work is in public and private collections across the United States, Europe and South Africa. She currently lives and works in Somerville, MA. For more information about the artist, see www.resablatman.com.

Officially opening on Sunday, April 22 as part of the 48th anniversary celebration of Earth Day, Resa Blatman: Trouble in Paradise will be on view in Catamount Arts’ Main Gallery in St. Johnsbury through June 8. Special related programming such as free gallery talks and film screenings will be scheduled throughout the course of the show. All are welcome to attend. For more information about this and other Catamount Arts events, call (802) 748-2600 or visit www.catamountarts.org.

Time: 4/22/18 12:00am - 6/8/18 12:00am
Location: Catamount Arts Gallery, Saint Johnsbury
Apr
22
2018
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Jun
8
2018

Anne Sargent Walker "Out on a Limb"

Anne Sargent Walker "Out on a Limb"
Description:

Catamount Arts Exhibits Norwich Painter for Earth Day

An exhibit by artist Anne Sargent Walker of Boston and Norwich will open at the Catamount Arts Rankin Gallery on Sunday, April 22nd, in celebration of Earth Day. Anne Sargent Walker’s Out on a Limb explores the effects of climate change on the natural environment and will be on exhibit through June 8 with special related programming including free gallery talks and special film screenings. An artist’s reception will be held on Thursday, May 31, from 5-7 pm.

Anne Sargent Walker’s mixed media painting explores the beauty, complexity, and fragility of the natural world—and our complicated relationship with it. Her semi-abstract paintings in oil and acrylic often incorporate layers of vintage wallpaper, something man-made that references a pastoral inclination to bring nature inside. Birds, flora, and other creatures rest uneasily on a surface that can degrade by peeling back or dissolving to reveal multiple layers beneath—a reminder of planet warming, the loss of habitat for humans and other species, and growing threats to the environment itself.

It’s an appropriate exhibit for Earth Day, a celebration that dates back to 1970 when millions of people took to the streets to protest pollution and heavy use of pesticides. The first Earth Day rallies resulted in the creation of the Environmental Protection Agency and the passage of legislation such at the Clean Water and Endangered Species Acts. Catamount Arts will celebrate the 48th annual Earth Day with the opening of two exhibits concerning the effects of climate change on the natural world: Resa Blatman’s Trouble in Paradise will open in the Main Gallery on the same day Anne Sargent Walker’s Out on a Limb opens in the Rankin Gallery.

Sargent Walker attributes her concerns about nature to summers spent with her naturalist father at her family home in Norwich where she frequently returns to continue her longstanding engagement with the rural landscape. Raised in Boston and Vermont, Sargent Walker earned her BA in Studio Art from Connecticut College and a MEd from Tufts University. Recipient of a Berkshire Taconic Foundation Artists’ Resource Trust Grant, Walker has also enjoyed artist residencies at the Vermont Studio Center and in Ireland and Italy. Her work has been widely exhibited throughout New England and is in permanent and private collections across the country.

For more information about the artist and her work, see www.annesargentwalker.com. To learn more about Catamount Arts programming, visit www.catamountarts.org.

Time: 4/22/18 12:00am - 6/8/18 12:00am
Location: Catamount Arts Rankin Gallery, Saint Johnsbury
Apr
13
2018
– THRU –
Jun
10
2018

Vox Populi at the BCA Center

Vox Populi at the BCA Center
Description:

How can we capture the mood of a nation, and reflect on the current state of American culture through portraiture? In contemporary art, there is a current trend in evocative “portraiture” that questions, probes, and evokes larger ideas of identity and culture, sometimes even conflict. Whether seen in current events, or with the swell of populism that informs today's American sentiment, people – their beliefs, opinions, and rhetoric – have become polarized, and differences pronounced. Vox Populi (or the people’s voice) aims to capture the character and inner psyche of people through contemporary portraiture, who, despite sharing divergent perspectives and voices, find commonality through our shared image. Vox Populi features recent painting and sculpture by six Vermont-based artists: Catherine Hall, Misoo Filan, Harlan Mack, Nathaniel Moody, Ross Sheehan, and Susan Wilson. ​

Admission is free and open to the public.
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BCA Center Gallery Hours:
November - April:
Tuesday, Wednesday & Thursday: noon-5 p.m.
Friday & Saturday: noon-8 p.m.
Closed Sunday & Monday

May - October:
Tuesday, Wednesday & Thursday: noon-5 p.m.
Friday & Saturday: noon-8 p.m.
Sunday: noon-5 p.m.
Closed Monday
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Image credit: Misoo Filan, The giant asian girls #4, 2017, 36in x 48in, acrylic paint and collage on panel, Vox Populi

Location: 135 Church Street, Burlington
May
3
2018
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Jun
10
2018

Where to Land

Where to Land
Description:

Northern Daughters is thrilled to announce Where to Land, a solo exhibit of oil paintings by Bonnie Baird. Baird is known for her authentic, personal paintings of the Vermont landscape. Her work possess a subtle drama, depth and detail that pays homage to her relationship with the land - one that has developed throughout her life as a farmer. Baird says “My work gives the environment a breath, a body through which viewers acknowledge the breadth of emotions evoked by our surroundings.”

Raised on a 730-acre dairy farm in Vermont, she and her husband Robert are the third generation to own and work their dairy/maple farm. This outdoor experience has given her a deep connection with the land. Working in the natural environment every day in every kind of weather allows her to truly feel the horizon; warm or cold, dark or light, intimate or expansive.

Baird’s work brings the viewer directly to that experience, that intimate relationship with the land. For this we are grateful. Baird's work is filled with an emerging fullness of heart. In her paintings, light infuses life into atmosphere, becoming the magic that conjures a personal memory. Her work simultaneously evokes a simple lament and heartfelt joy. The pieces featured in this exhibit are the largest the artist has painted to date. Her minimalist approach is spare but warm and creates a perceptual experience – a vivid place. The larger format fits Baird’s work, which often features expansive horizons and the low lying flood plains of her home county.

“My paintings are a reaction to what I see and my palette is my color response to what I am experiencing. Building with layers of color that I add to − and subtract from − I compose large and simple shapes to suggest and reveal an enlivened reality.”

Where to Land is on view at the gallery’s 221 Main St. location in Vergennes, Vermont from May 3rd through June 10th with an opening reception with live music, wine and apéro on May 11th from 5-8pm.

Time: 5/3/18 10:00am - 6/10/18 5:00pm
Location: Northern Daughters, 221 Main St, Vergennes
May
3
2018
– THRU –
Jun
19
2018

Tim Brookes - The Enigmatic Art of Endangered Alphabets

Tim Brookes - The Enigmatic Art of Endangered Alphabets Vermont Arts 2018
Description:

The Enigmatic Art of Endangered Alphabets, an exhibit of wood carvings by Tim Brookes, will exhibit at the Gallery at River Arts May 3 – June 19, 2018.

The non-profit Endangered Alphabets Project, founded in 2010, flourishes on the borderlands between art and woodwork, painting and typography, linguistics and anthropology, creative design and cultural preservation, ethnography and spirituality. Originally intended to preserve some of the world’s endangered writing systems by carving them in boards of beautiful Vermont curly maple, the Alphabets have expanded to encompass artwork, poetry, sound sculpture, and furniture.

The shapes incorporated in writing reflect our sense of what comes naturally to the human body—the radius-over-ulna turn of the wrist, the sweep of the arm, the turn of the shoulders, the leaning-forward downstroke obeying gravity—and what we think of as ideal forms: the circle, the line, the right angle, the set of parallels, symmetry and balance. The shapes incorporated in wood grain reflect a deeper, older set of forces: annual sun-and-rain weather cycles depicted in growth rings; the complex rhythms of wind stressing trees at the edge of a forest. These carvings are a conversation between the two sets of patterns, the urgent desire to communicate in human time set against the longer, slower rhythms of the natural world. The carvings have been displayed at the Smithsonian Institution, Yale, Harvard, the universities of Cambridge and Barcelona, and other colleges, universities, and libraries across North America.

Tuesday, June 19, 3:00p.m.
River Arts Center, 74 Pleasant Street, Morrisville, VT

On June 19 at 3:00p.m., Tim Brookes will be speaking on Endangered Alphabets, Cultural Erosion, and the Future of the Written Word. What does the age of digital convergence, Facebook, and globalization mean for the future of the written word? Writer/carver/painter Tim Brookes offers remarkable and thought-provoking perspective on this question by looking at a range of forms of writing from all over the world that are in danger of extinction. He displays a carving of a piece of text in each script, leading a discussion on how technology will help—and always has helped—define the nature of communication, and shows how the story of a culture can be seen in its writing, even if that writing is (as in these examples) beautiful, utterly unfamiliar, and disappearing. This talk is in conjunction with Tim Brooke’s exhibit “The Enigmatic Art of Endangered Alphabets.” The talk is free, open to the public, and accessible to those with disabilities. For more information, contact Heidi@RiverArtsVT.org.

Endangered Alphabets, Cultural Erosion, and the Future of the Written Word is a Vermont Humanities Council program hosted by River Arts. (Supported in part by the National Endowment for the Humanities. Any views, findings, conclusions, or recommendations expressed in this program do not necessarily represent those of the NEH or VHC.)

Time: 5/3/18 9:00am - 6/19/18 4:00pm
Location: River Arts, Morrisville
May
3
2018
– THRU –
Jun
24
2018

Russians and Friends

Russians and Friends Vermont Arts 2018
Description:

Bryan Memorial Gallery presents The Russians and Friends, a selection of paintings by four visiting artists from Russia, and some American friends, who recently painted together in Jeffersonville.

Bryan Menorial gallery is at 180 Main Street, Jeffesonville, VT 802-644-5100. A digital preview of this exhibit can be seen at www.bryangallery.org. Gallery hours are Thursday-Sunday 11-4 and by appointment any time.

Opening reception Sunday May 6th. Artist Roundtable at 1:00pm. Reception 2-4pm.

contact: Mickey Myers : mickey@bryangallery.org

Time: 5/3/18 11:00am - 6/24/18 4:00pm
Location: Bryan Memorial Gallery, Jeffersonville
May
12
2018
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Jun
24
2018

New Exhibit Opens at MGFA: Bruce Campbell, Thinking the Cosmos

New Exhibit Opens at MGFA: Bruce Campbell, Thinking the Cosmos Vermont Arts 2018
Description:

May 12- June 24: Mitchell • Giddings Fine Arts is pleased to feature sculptor Bruce Campbell’s “Thinking the Cosmos: Kinetic Sculpture”. An opening reception will take place Saturday, May 12 from 5:30-8pm, with an Artist Talk scheduled for Saturday, June 9th at 5:30pm.

Bruce Campbell graduated from Syracuse University with a BFA in printmaking and received an MFA from Indiana University. In the early ‘70s Campbell began designing books and manuscripts, and soon he was specializing in the design of art museum books and catalogues. For thirty years his clients included The Metropolitan Museum of Art, National Gallery of Art, The Peabody Museum, and The Museum of Fine Arts, Houston, among others.

In 1976 Campbell was fascinated by the Whitney Museum retrospective exhibition, “Calder’s Universe”, which invited Campbell to experiment with wires joined and twisted into imaginative shapes, suggesting an art form which defines and controls space through three-dimensional line drawing.

“My ideas for kinetic sculpture usually begin as a question. For example, how can I show a certain concept of the universe? They attempt to illustrate, in the simplest way possible, conditions and events of the natural world. In showing a falling star, a lunar eclipse, or a rainstorm, I am trying to represent, in minimalist and transparent form, my perception of the universe - how the universe might be visualized if moved by gears, levers, and basic mechanics.” Visually stunning and interactively entertaining, Campbell’s kinetic sculptures illuminate/illustrate the dynamic relationships of phonomenal elements in the natural and celestial world, bridging physics, mechanics and aesthetics to create treasured pieces of pure wonderment.

Mitchell • Giddings Fine Arts is committed to presenting innovative, contemporary works that stimulate and challenge both the seasoned collector and aesthetic explorer.

Time: 5/12/18 5:00pm - 6/24/18 5:00pm
Location: Mitchell • Giddings Fine Arts, Brattleboro
May
6
2018
– THRU –
Jun
29
2018

Rachel Moore - Traces

Rachel Moore - Traces Vermont Arts 2018
Description:

Rachel Moore - Traces
On view: May 6 through June 29, 2018

EDGEWATER GALLERY at Stowe
151 Main Street • Stowe, Vermont • 802.760.6785

Edgewater Gallery at Stowe unveils a special selection from Rachel Moore’s complete body of work with brand new sculptural pieces in her solo exhibition Traces . The exhibition will be on view May 6th through June 29th, with a reception on Friday, May 11th from 5:30-7:00pm. The artist talk will begin at 6:00pm.

Moore’s work is steeped in careful attention to pattern language and shifts. Her materials range from watercolor and graphite on paper, to blown and cast glass, to ink on vellum and more. Traces ties together many thematic patterns in the artist’s work honoring the environment with a dialogue on prevailing conditions. Minimalist in color, her installations are infinitely rich in carefully considered materials and surfaces with an ethereal elegance and sophistication. Paying homage to presence in absence, many of her sculptural pieces refer to measurable data in climate change as well as migration patterns. Each movement, memory, presence and energy leaves a trace. This exhibition echoes traces of beauty in our global community.

Rachel Moore is a multidisciplinary artist working in mixed media sculpture, installation, drawing, and social practice. Moore uses maps, cultural and religious icons, text, and sculptural replications of objects from daily life to respond to social and political movements, often in poetic and haunting ways. In her social practice, she has used storytelling to create relationships of understanding and as a way to bring awareness to multicultural histories, in some cases, asserting a culture’s rightful place in history.

Moore’s work has been featured in international museums and galleries, on Art21’s “Inside the Artist’s Studio” and she is the recipient of numerous grants and awards.The artist is represented by Edgewater Gallery, Stowe, VT; Stewart Gallery, Boise, ID; and Traver Gallery, Seattle, WA. She lives and works in Vermont.

For further information on Rachel Moore and her exhibition, please call the gallery at 802-760-6785, email Kelly Holt (kelly@edgewatergallery-vt.com), or visit edgewatergallery-vt.com.

Edgewater Gallery at Stowe hours:
Wednesday-Thursday 10am-5pm, Friday-Saturday 10am-6pm, Sunday 10am-4pm. Closed Monday & Tuesday.

Location: Edgewater Gallery, Stowe
May
4
2018
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Jun
30
2018

Head In The Clouds by Dave Fifield

Head In The Clouds by Dave Fifield Vermont Arts 2018
Description:

The Brandon Artists Guild (the BAG) presents the new paintings of Dave Fifield. This new collection of paintings titled Head In The Clouds” runs May 4 through June 26. The public is invited to the opening reception Friday, May 4 from 5-7 PM.

Time: 5/4/18 10:00am - 6/30/18 5:00pm
Location: Brandon Artist Guild, Brandon
May
25
2018
– THRU –
Aug
12
2018

Opening Day - 1968

Opening Day - 1968
Description:

1968 was a year of upheaval and transformation—a year in which national and international events spawned intense vocal expression and protest. This exhibit, through the lens of art, music, and literature, looks back 50 years to consider the issues that transformed American society. Free. Learn more at http://museum.middlebury.edu/exhibitions/upcoming/node/2216

Time: 5/25/18 10:00am - 8/12/18 5:00pm
Location: Mahaney Center for the Arts, Museum of Art, Christian A Johnson Memorial Gallery, Middlebury
May
25
2018
– THRU –
Aug
12
2018

1968: The Whole World Is Watching

1968: The Whole World Is Watching Vermont Arts 2018
Description:

1968 was a year of upheaval and transformation—a year in which national and international events spawned intense vocal expression and protest. This exhibit, through the lens of art, music, and literature, looks back 50 years to consider the issues that transformed American society.

Free.

Location: Middlebury College Museum of Art, Christian A. Johnson Memorial Gallery, Middlebury
May
25
2018
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Aug
12
2018

Just Kids: Photographs from the Nicholas Gift

Just Kids: Photographs from the Nicholas Gift Vermont Arts 2018
Description:

The museum recently received an extensive collection of photographs of children from all corners of the globe. This exhibition surveys documentary and intimate images that depict the characteristic activities, delights, and inevitable sorrows of childhood. Among the photographers included are Henri Cartier-Bresson, Louis Stettner, Danny Lyon, and Leonard Freed.

Free.

Location: Middlebury College Museum of Art, Overbrook Gallery, Middlebury
May
26
2018
– THRU –
Sep
3
2018

The Safety of Objects: A Visual Discourse between Father and Daughter

The Safety of Objects: A Visual Discourse between Father and Daughter Vermont Arts 2018
Description:

Juxtaposition of Royal Academy of Art father, Michael Craig-Martin, and Vanity Fair photographer daughter, Jessica Craig-Martin, shown May 26th through Sept 3, weekends 12-5 or by appointment. Also see 12 original 1960s modern sculptures returned to the grounds after 25 years away.

Time: 5/26/18 12:00pm - 9/3/18 5:00pm
Location: Bundy Modern, Waitsfield
May
12
2018
– THRU –
Sep
9
2018

Thinking About Extinction and Other Droll Things: Recent Prints and Drawings by Edward Koren

Thinking About Extinction and Other Droll Things: Recent Prints and Drawings by Edward Koren
Description:

This exhibition features recent etchings and lithographs by Vermont artist Edward Koren, who is best known for his iconic cartoons of furry humans published in The New Yorker magazine. This summer’s show features a largely unknown body of prints, some fresh off the press and never before exhibited. Included in the selection of works are those featuring curious skeletal creatures in a landscape of ruined Gothic and Classical architecture partially inspired by Koren’s reading of The Sixth Extinction by Berkshire County resident Elizabeth Kolbert, as well as those from the La Petite Reine series (translated as the little queen, an early French term for the modern safety bicycle)which celebrates the sense of liberation, that feeling of freedom in space afforded by the bicycle.

Time: 5/12/18 10:00am - 9/9/18 5:00pm
Location: Bennington Museum, Bennington
Dec
22
2017
– THRU –
Sep
30
2018

Dreamcatcher

Dreamcatcher Vermont Arts 2018
Description:

A large-scale, interactive sculpture installation by LA-based artist James Peterson, inspired by magical Siberian ice caves. Presented by Spruce Peak at Stowe, produced and curated by Helen Day Art Center. Located in the Spruce Peak Village Center, outside Spa Entrance. Open to the public all hours.

Time: 12/22/17 12:00am - 9/30/18 12:00am
Location: Spruce Peak Village Center, Stowe
Mar
20
2018
– THRU –
Nov
11
2018

Waterfowl Wonders And Amusing Animals By Three Self-Taught Addison County, Vermont Carvers

Waterfowl Wonders And Amusing Animals By Three Self-Taught Addison County, Vermont Carvers Vermont Arts 2018
Description:

"Waterfowl Wonders and Amusing Animals by Three Self-taught Addison County, Vermont carvers – Gary Starr, Chuck Herrmann, and William Holway - greet delighted visitors to the Henry Sheldon Museum in Middlebury, Vermont.

Gary Starr is a world-class self-taught carver whose decorative decoys and birds are on display at the Sheldon – from three magnificent oversized shore birds – one standing, a second running, and a third feeding – to a variety of life-sized colorful birds including a Puffin, American Oyster Catcher, Belted King Fisher, Baltimore Oriole, and Lilac Breasted Roller.

Before perfecting his drawing, Bill Holway began his artistic pursuits by whittling and was one of the original craftsmen when Frog Hollow the Vermont State Craft Center was started in Middlebury in 1971. For years, Bill Holway was known locally for his “performance drawings” at Kennedy Brothers in Vergennes. His wood carvings at the Sheldon feature a moose with an iconic rack of antlers and a prominent beard-like dewlap under its chin, a brown bear, a frolicking horse, and more exotic animals such as long-horned goat, hippopotamus, elephant, zebra, camel, and giraffes.

Chuck Herrmann's carvings are a reflection of his deep commitment to the Vermont forest, its history and value. As an example, true to his investigative and collecting habits, he carved birds and waterfowl from remnants of a “root fence” that was once located on a farm field at New Haven Junction at the intersection of Routes 7 and 17.

Time: 3/20/18 10:00am - 11/11/18 5:00pm
Location: Henry Sheldon Museum, One Park Street, Middlebury
May
12
2018
– THRU –
Nov
25
2018

Hope and Hazard: A Comedy of Eros | Curated by Eric Fischl

Hope and Hazard: A Comedy of Eros | Curated by Eric Fischl
Description:

The Hall Art Foundation is pleased to announce a group exhibition curated by American artist Eric Fischl to be held in its galleries in Reading, Vermont. Approximately sixty-five artists are represented in Hope and Hazard: A Comedy of Eros, which includes over eighty paintings, photographs, works on paper and sculptures selected by Fischl from the Hall and Hall Art Foundation collections. In this fresh and provocative show, Fischl illustrates the absurd extremes associated with romantic and sexual love. Desire, passion, vulnerability, disappointment, pleasure and torment are expressed as a Greek or Shakespearian comedy – epic and tragic, hopeful and hazardous. On view from 12 May through 25 November 2018. Appointments available 11 a.m. and 2 p.m., Sa–Su. $10 pp. First Friday of every month, 5–8 p.m., free without a guide.

Location: Hall Art Foundation, Reading
May
12
2018
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Nov
25
2018

Made in Vermont

Made in Vermont
Description:

The Hall Art Foundation is pleased to announce, Made in Vermont, a group exhibition of new and recently completed work by Vermont artists to be held in its galleries in Reading, Vermont from 12 May - 25 November 2018. Including paintings, works on paper and sculpture by Mark Barry, Mildred Beltré, Patrick Dunfey, Terry Ekasala, Richard Jacobs, Sara Katz and Joseph Wheelwright, this show spotlights artists who are making innovative, fresh, and sometimes challenging work, while living and working in Vermont. On view from 12 May through 25 November 2018. Appointments available 11 a.m. and 2 p.m., Sa–Su. $10 pp. First Friday of every month, 5–8 p.m., free without a guide.

Location: Hall Art Foundation, Reading
May
12
2018
– THRU –
Nov
25
2018

The Solace of Amnesia | Curated by Alexis Rockman and Katherine Gass Stowe

The Solace of Amnesia | Curated by Alexis Rockman and Katherine Gass Stowe
Description:

Curated by American artist Alexis Rockman and Katherine Gass Stowe, this group show includes over 30 paintings, photographs, works on paper, and sculpture by approximately 25 artists. Recognizing that the planet is in an age of profound environmental transformation, we find ourselves estranged and alienated from the ecosystems in which we evolved. Rockman and Gass Stowe define “The Solace of Amnesia” as a craving to forget as a form of comfort and self-medication. On view from 12 May through 25 November 2018. Appointments available 11 a.m. and 2 p.m., Sa–Su. $10 pp. First Friday of every month, 5–8 p.m., free without a guide.

Location: Hall Art Foundation, Reading
Monday, May 28, 2018
Apr
10
2018
– THRU –
May
28
2018

Summer Juried Show, Call to Artists

Summer Juried Show, Call to Artists
Description:

Call to Artists for the Gallery’s Annual Summer Juried Show
It’s time for our annual summer juried art exhibit. We invite artists and community members to submit work by May 28th.

• Artwork: Submit up to 3 titled images in any medium, (painting, drawing, photography, fiber art, collage, mixed media, sculpture etc.) created in the last five years.
• Fee: $25 for submitting three pieces of art. $10 for each additional submission.
• Payment: Check or money order made out to T. W. Wood Gallery. Mail to 46 Barre St Montpelier, VT 05602. For credit card charges include your name as on the card, type of card (Visa, Mastercard or Discover) address including zip code where credit card bills are sent, expiration date (mmyy), three digit security code and e-mail address.
• Award:
$100 for Best in Show
• Submission Deadline: May 28, 2018
• Installation: June 30, 2018
• Exhibit Dates: July 5-August 31, 2018
• Jurors: Susan Abbott, mason Singer and Phillip Robertson
• For complete details go to twwoodgallery.org/onview

Location: T.W. Wood Gallery, Montpelier
May
27
2018
– THRU –
May
28
2018

Alexandra Bottinelli Spring Open Studio Weekend

Alexandra Bottinelli Spring Open Studio Weekend Vermont Arts 2018
Description:

Art works on display -- outdoor sculpture studio of found wood assemblages and indoor painting & collage studio that includes encaustics.

Time: 5/27/18 10:00am - 5/28/18 5:00pm
Location: 83 Winter Street, Hardwick
Apr
1
2018
– THRU –
May
31
2018

Portraits of Artists by Photographer William Dixon

Portraits of Artists by Photographer William Dixon
Description:

Portraits of Artists by Photographer William Dixon
An event connected to the “Nourishing the Inner Artist: Conversations about Art, Creativity, and Imagination” creativity forums series.

LOCATION: Putney Public Library Central Library, 55 Main St, Putney, VT 05346

William Dixon presents a photographic series of local artists working in their studios. Included in the exhibit are photos of Ken Pick, Paul Stone, Dena Gartenstein Moses, Nancy Storrow, Joseph Fichter, Walter Slowinski, and Eugene Uman.

William Dixon has been photographing artists from the Putney community for several years. Artists at Work, his 2014 solo exhibition at the Vermont Center for Photography, focused on the creative process employed by these talented and creative people. To see more of William Dixon’s work, please visit: williamdixonphotography.net

This exhibition is one of the many activities offered as a part of the "Nourishing the Inner Artist: Conversations about Art, Creativity, and Imagination" creativity forums series. To view the full series, please visit: www.acwc.us/forums. The "Nourishing the Inner Artist: Conversations About Art, Creativity, & Imagination" creativity forums are being supported by the following partners and sponsors:

SPONSORS: The Brattleboro Reformer*Brattleboro Community Television*Brattleboro Food Co-Op*Brattleboro Savings & Loan*Latchis Arts*New Chapter*Southern Vermont Arts & Living*The Richards Group

PARTNERS: Antidote Books*Brooks Memorial Library*C. X. Silver Gallery LLC*Hooker-Dunham Theater & Gallery*Mitchell Giddings Fine Arts*River Gallery School*Putney Public Library*Sandglass Theater

Location: Putney Library, 55 Main Street, Putney
May
1
2018
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May
31
2018

Imagining Home

Imagining Home Vermont Arts 2018
Description:

Imagining Home, presents innovative home design born of collaboration between community members dealing with homelessness and prominent local architects. The resulting designs will be on display at State House cafeteria in Montpelier from
May 1 – 31, 2018.

Time: 5/1/18 8:00am - 5/31/18 4:30pm
Location: State House Cafeteria, Montpelier
Apr
22
2018
– THRU –
Jun
8
2018

Anne Sargent Walker "Out on a Limb"

Anne Sargent Walker "Out on a Limb"
Description:

Catamount Arts Exhibits Norwich Painter for Earth Day

An exhibit by artist Anne Sargent Walker of Boston and Norwich will open at the Catamount Arts Rankin Gallery on Sunday, April 22nd, in celebration of Earth Day. Anne Sargent Walker’s Out on a Limb explores the effects of climate change on the natural environment and will be on exhibit through June 8 with special related programming including free gallery talks and special film screenings. An artist’s reception will be held on Thursday, May 31, from 5-7 pm.

Anne Sargent Walker’s mixed media painting explores the beauty, complexity, and fragility of the natural world—and our complicated relationship with it. Her semi-abstract paintings in oil and acrylic often incorporate layers of vintage wallpaper, something man-made that references a pastoral inclination to bring nature inside. Birds, flora, and other creatures rest uneasily on a surface that can degrade by peeling back or dissolving to reveal multiple layers beneath—a reminder of planet warming, the loss of habitat for humans and other species, and growing threats to the environment itself.

It’s an appropriate exhibit for Earth Day, a celebration that dates back to 1970 when millions of people took to the streets to protest pollution and heavy use of pesticides. The first Earth Day rallies resulted in the creation of the Environmental Protection Agency and the passage of legislation such at the Clean Water and Endangered Species Acts. Catamount Arts will celebrate the 48th annual Earth Day with the opening of two exhibits concerning the effects of climate change on the natural world: Resa Blatman’s Trouble in Paradise will open in the Main Gallery on the same day Anne Sargent Walker’s Out on a Limb opens in the Rankin Gallery.

Sargent Walker attributes her concerns about nature to summers spent with her naturalist father at her family home in Norwich where she frequently returns to continue her longstanding engagement with the rural landscape. Raised in Boston and Vermont, Sargent Walker earned her BA in Studio Art from Connecticut College and a MEd from Tufts University. Recipient of a Berkshire Taconic Foundation Artists’ Resource Trust Grant, Walker has also enjoyed artist residencies at the Vermont Studio Center and in Ireland and Italy. Her work has been widely exhibited throughout New England and is in permanent and private collections across the country.

For more information about the artist and her work, see www.annesargentwalker.com. To learn more about Catamount Arts programming, visit www.catamountarts.org.

Time: 4/22/18 12:00am - 6/8/18 12:00am
Location: Catamount Arts Rankin Gallery, Saint Johnsbury