Arts Calendar: Visual Arts
Due to the frequency of event cancellations during the COVID-19 crisis, we cannot guarantee that events listed in our calendar are current. Please confirm with the listed venue before attending.
Have you listed an event in our arts calendar that has since been cancelled due to COVID-19? Please email Desmond Peeples, Content Manager, at dpeeplesREMOVETHISBEFORESENDING@vermontartscouncil.org to update your listing.
Magic from the ancients to the present is embodied in Sande French Stockwell’s recent sculptures and drawings. And her work begs you to be a part of this manifestation, to react, to think, and pose more searching questions about your life and your relationship to our deep and ancient past. Through this search of ancient connections are our new possible beings and Be-comings. Many of these “beings” are on display as the “Portraits of a Different Kind” exhibit at Axel’s Gallery in Waterbury, Vermont. Sande French-Stockwell has presented her latest pieces: both works on paper and in the round and invites you to celebrate your dreams!
Ms. Stockwell has fallen in love with the creative freedom newly found in plaster. Come discover how a single change in medium has allowed one artist to flourish creatively.
“Working with plaster allows a quick and instant breath of life into these beings I sculpt. I use my hands to shape and form the traces of a hypnotic yesteryear, a raw present and magical future.”
Meet the artist Friday, April 13th from 6-8pm. This event is open and free to the public. Light refreshments and snacks will be provided.
Axel's Gallery & Frame Shop, Waterbury
In the Central Gallery, two Vermont-based artists, plein air painter Charlie Hunter and landscape photographer Jim Westphalen, turn their attention to vanishing icons of Vermont's rich industrial and agricultural past. The works in this exhibition ask us to reconsider the familiar rusted railways and retired grain elevators that pepper our local landscape and inhabit their photographs and canvases, rightfully elevating them to subjects worthy of our respect, gratitude, and reverence.
3/24/18 10:00am - 5/20/18 5:00pm
West Branch Gallery & Sculpture Park, Stowe
In the South Gallery, two Vermont-based artists together present work exploring intimate conversations with the underappreciated inhabitants of our natural environments. Forest floors strewn with fallen branches, moss-covered rocks in streambeds, and wildflowers take center stage in this collection of paintings in watercolor by Susan Wahlrab and fabric collages by Dianne Shullenberger.
3/24/18 10:00am - 5/20/18 5:00pm
West Branch Gallery & Sculpture Park, Stowe
BRATTLEBORO: An opening reception for the exhibit, "Raised Voices: Local Artists Resist" will take place from 5:30 to 8 p.m. May 4 at the Robert H. Gibson River Garden at 157 Main St.
“Raised Voices” will be on exhibit at the River Garden until May 26, featuring the work of area artists who responded to an open call to stand up and express your hopes, your outrage, your vision in the face of the current political climate in our country today.
The exhibit features unique pieces from some of the finest artists and artisans in the area, and others whose work you may be discovering for the first time. All the work on display is for sale with either 50 percent or 100 percent of proceeds going to three organizations: the American Civil Liberties Union Foundation of Vermont, Planned Parenthood of Northern New England - Brattleboro, and the Vermont Workers’ Center.
Artists showing work, in some cases made specifically for this show: Jackie Abrams, , Sue Aldridge, Monserrat Archbald, Barbara Baribeau, Karen Becker, Ellen Bronstein, Stuart Copans, Kay Curtis, Sloan Dawson, John Dimick , Arlene Distler, Wayne Estey, Suzanne Flynt, Kathleen Harwood, Laura Kaye, Dolores Klaich, Isabel Lenssen , Lodiza LePore, Steve Lloyd, Naomi Lindenfeld, Mel Martin, Kris McDermet, Barbara Milot, Petria Mitchell, Greg Moschetti, Sharon Myers, Gene Parulis, Leonard Ragouzeos, Deidra Razzaque, Susan Rosano, Nina Rossi, Deidre Scherer, Helen Schmidt, Lori Schreiner, Kathleen Sims, Walter Slowinski, Jorika Stockwell, and Toby Welch.
Says Jackie Abrams, artist and one of five organizers of the exhibit: "This show was conceived of as a gathering, a safe place for people to express and share their outrage with each other and the community." Another artist-organizer, Petria Mitchell, says, "Responding creatively offers a myriad of avenues for healing and solace during this time of rapid change and deep questioning.” In addition to Abrams and Mitchell, Kris McDermet, Kay Curtis, and Arlene Distler helped to organize the exhibit and also have pieces in the show.
Taking place during Brattleboro’s monthly Gallery Walk, the reception will feature luscious refreshments, interactive sculptures, performances by Silky Caterwaul and Cyrus Shaoul, and the possibility of a visit by Vermont Lt. Gov. David Zuckerman and area legislators. For questions and more information, email: email@example.com
Robert H. Gibson River Garden, 157 Main St., Brattleboro
Imagining Home, presents innovative home design born of collaboration between community members dealing with homelessness and prominent local architects. The resulting designs will be on display at State House cafeteria in Montpelier from
May 1 – 31, 2018.
5/1/18 8:00am - 5/31/18 4:30pm
State House Cafeteria, Montpelier
Portraits of Artists by Photographer William Dixon
An event connected to the “Nourishing the Inner Artist: Conversations about Art, Creativity, and Imagination” creativity forums series.
LOCATION: Putney Public Library Central Library, 55 Main St, Putney, VT 05346
William Dixon presents a photographic series of local artists working in their studios. Included in the exhibit are photos of Ken Pick, Paul Stone, Dena Gartenstein Moses, Nancy Storrow, Joseph Fichter, Walter Slowinski, and Eugene Uman.
William Dixon has been photographing artists from the Putney community for several years. Artists at Work, his 2014 solo exhibition at the Vermont Center for Photography, focused on the creative process employed by these talented and creative people. To see more of William Dixon’s work, please visit: williamdixonphotography.net
This exhibition is one of the many activities offered as a part of the "Nourishing the Inner Artist: Conversations about Art, Creativity, and Imagination" creativity forums series. To view the full series, please visit: www.acwc.us/forums. The "Nourishing the Inner Artist: Conversations About Art, Creativity, & Imagination" creativity forums are being supported by the following partners and sponsors:
SPONSORS: The Brattleboro Reformer*Brattleboro Community Television*Brattleboro Food Co-Op*Brattleboro Savings & Loan*Latchis Arts*New Chapter*Southern Vermont Arts & Living*The Richards Group
PARTNERS: Antidote Books*Brooks Memorial Library*C. X. Silver Gallery LLC*Hooker-Dunham Theater & Gallery*Mitchell Giddings Fine Arts*River Gallery School*Putney Public Library*Sandglass Theater
Putney Library, 55 Main Street, Putney
Catamount Celebrates Earth Day with Resa Blatman: Trouble in Paradise
On April 22, 1970, millions of people took to the streets to protest the negative impacts of pollution and heavy use of pesticides. The first national Earth Day rally resulted in the creation of the Environmental Protection Agency and passage of such robust legislation as the Clean Water and Endangered Species Acts. 48 years later, Earth Day is a global event in which more than 1 billion people in 192 countries participate in civically focused actions to bring attention to continuing threats to biodiversity and the environment. This April 22, Catamount Arts will celebrate Earth Day with the official opening of the art exhibition Resa Blatman: Trouble in Paradise.
Resa Blatman’s work is proof that eco-activism is not limited to the scientific community. In Trouble in Paradise, an exhibition of 17 elegantly crafted and exuberant paintings, the artist offers up a visual commentary on climate change and its increasing threat to migratory birds and other animal species. “Nature is full of delight and darkness, energy and decay, life and death,” observes Blatman. “I endeavor to make work that offers me and the viewer an elegiac and seductive visual feast with hints of surrender—surrender of the self, surrender of the natural world, surrender of the things we cannot control.”
Inspired by the decorative traditions of Baroque, Romantic, and Victorian art, Blatman combines paint, assemblage, and intricate laser-cut forms to create beautiful yet unsettling microenvironments. Scintillating Swamp and The Ultimate Whorl show flora and fauna bursting from the confines of the picture frame, giving evidence to the dynamic vitality of nature. But within this abundance of life, we are faced with a clear threat. Tangles of thorny branches leave little room for migratory birds to rest comfortably. The scarred earth and ominous skies in such paintings as The Fall and Heed force viewers to go beyond poetic beauty to consider what happens if nature is stressed beyond her ability to recover. While Blatman’s small worlds are undeniably lovely, they also acknowledge and warn about troubles in our natural paradise.
Resa Blatman’s intricate paintings and multi-layered installations have long been inspired by the natural world, but her most recent work explores the alarming signs of climate change—extreme weather conditions and rising water levels due to shrinking ice caps. In 2015, she was one of 29 artists, writers, and poets who sailed along the west coast of Svalbard, a Norwegian archipelago north of the Arctic Circle. During the month-long expedition, the artist hiked on glaciers, boated in and out of fjords, and collected detritus—fishing line, fishing nets, combs, toothbrushes—washed up on the shore. Upon return, Blatman created The Water Project/Rising Tide, a series of large-scale installations made from pliable hand-cut Mylar painted with latex to effectively simulate movement of ocean currents. The artist is currently planning a trip to the ice-capped landmass of Greenland, where she expects to be further inspired by her observation of the natural world.
Blatman holds a BFA from the Massachusetts College of Art and Design and an MFA from Boston University. She has exhibited widely, with solo exhibitions at galleries and universities all over the United States. She is a past recipient of a full fellowship to the Vermont Studio Center, a Blanche Coleman Award and an Artist Resource Trust Award from the Berkshire Taconic Community Foundation. Her work is in public and private collections across the United States, Europe and South Africa. She currently lives and works in Somerville, MA. For more information about the artist, see www.resablatman.com.
Officially opening on Sunday, April 22 as part of the 48th anniversary celebration of Earth Day, Resa Blatman: Trouble in Paradise will be on view in Catamount Arts’ Main Gallery in St. Johnsbury through June 8. Special related programming such as free gallery talks and film screenings will be scheduled throughout the course of the show. All are welcome to attend. For more information about this and other Catamount Arts events, call (802) 748-2600 or visit www.catamountarts.org.
4/22/18 12:00am - 6/8/18 12:00am
Catamount Arts Gallery, Saint Johnsbury
Catamount Arts Exhibits Norwich Painter for Earth Day
An exhibit by artist Anne Sargent Walker of Boston and Norwich will open at the Catamount Arts Rankin Gallery on Sunday, April 22nd, in celebration of Earth Day. Anne Sargent Walker’s Out on a Limb explores the effects of climate change on the natural environment and will be on exhibit through June 8 with special related programming including free gallery talks and special film screenings. An artist’s reception will be held on Thursday, May 31, from 5-7 pm.
Anne Sargent Walker’s mixed media painting explores the beauty, complexity, and fragility of the natural world—and our complicated relationship with it. Her semi-abstract paintings in oil and acrylic often incorporate layers of vintage wallpaper, something man-made that references a pastoral inclination to bring nature inside. Birds, flora, and other creatures rest uneasily on a surface that can degrade by peeling back or dissolving to reveal multiple layers beneath—a reminder of planet warming, the loss of habitat for humans and other species, and growing threats to the environment itself.
It’s an appropriate exhibit for Earth Day, a celebration that dates back to 1970 when millions of people took to the streets to protest pollution and heavy use of pesticides. The first Earth Day rallies resulted in the creation of the Environmental Protection Agency and the passage of legislation such at the Clean Water and Endangered Species Acts. Catamount Arts will celebrate the 48th annual Earth Day with the opening of two exhibits concerning the effects of climate change on the natural world: Resa Blatman’s Trouble in Paradise will open in the Main Gallery on the same day Anne Sargent Walker’s Out on a Limb opens in the Rankin Gallery.
Sargent Walker attributes her concerns about nature to summers spent with her naturalist father at her family home in Norwich where she frequently returns to continue her longstanding engagement with the rural landscape. Raised in Boston and Vermont, Sargent Walker earned her BA in Studio Art from Connecticut College and a MEd from Tufts University. Recipient of a Berkshire Taconic Foundation Artists’ Resource Trust Grant, Walker has also enjoyed artist residencies at the Vermont Studio Center and in Ireland and Italy. Her work has been widely exhibited throughout New England and is in permanent and private collections across the country.
For more information about the artist and her work, see www.annesargentwalker.com. To learn more about Catamount Arts programming, visit www.catamountarts.org.
4/22/18 12:00am - 6/8/18 12:00am
Catamount Arts Rankin Gallery, Saint Johnsbury
How can we capture the mood of a nation, and reflect on the current state of American culture through portraiture? In contemporary art, there is a current trend in evocative “portraiture” that questions, probes, and evokes larger ideas of identity and culture, sometimes even conflict. Whether seen in current events, or with the swell of populism that informs today's American sentiment, people – their beliefs, opinions, and rhetoric – have become polarized, and differences pronounced. Vox Populi (or the people’s voice) aims to capture the character and inner psyche of people through contemporary portraiture, who, despite sharing divergent perspectives and voices, find commonality through our shared image. Vox Populi features recent painting and sculpture by six Vermont-based artists: Catherine Hall, Misoo Filan, Harlan Mack, Nathaniel Moody, Ross Sheehan, and Susan Wilson.
Admission is free and open to the public.
BCA Center Gallery Hours:
November - April:
Tuesday, Wednesday & Thursday: noon-5 p.m.
Friday & Saturday: noon-8 p.m.
Closed Sunday & Monday
May - October:
Tuesday, Wednesday & Thursday: noon-5 p.m.
Friday & Saturday: noon-8 p.m.
Sunday: noon-5 p.m.
Image credit: Misoo Filan, The giant asian girls #4, 2017, 36in x 48in, acrylic paint and collage on panel, Vox Populi
135 Church Street, Burlington
Curated by Dian Parker
These recent prints of Betsey Garand represent the continuous balance and growth of physical and psychological life. The colors are layered biomorphic and geometric shapes, combining delicate nuances with accents of vibrancy and transparency. Garand uses a combination of techniques; woodcut, monotype, pochôir, spit-bite aquatint, lift-ground aquatint, and à la poupée. The prints create the luscious varieties of form, color, and change inherent in nature. These works are fluid, amorphic, richly colored, and intensely dynamic.
Betsey Garand is presently Senior Resident Artist at Amherst College in the Department of Art and the History of Art, where she is head of printmaking. Garand has shown in many exhibitions and in numerous public and private art collections; Dadapost Gallery-Berlin, Germany; Santa Barbara Museum of Art; Hammer Museum’s Grunwald Center for the Graphic Arts; Arkansas Arts Center; Tokyo Geijutsu Daigaku-Japan; Art Museum of Estonia. Awards include a Pollock Krasner Foundation Grant, and fellowships at Dorland Mountain Arts Colony and the MacDowell Colony.
4/2/18 10:00am - 6/15/18 4:00pm
White River Gallery @ BALE, South Royalton
Artists in Vermont clearly have an affinity with barns. The many barns that dot the Vermont landscape provide inspiration to artists, are a treasured subject matter, and provide reminders of their purpose and history. The Compass Music and Arts Center’s new exhibit ‘Barn Art’ is a collection of works from 31 different artists in celebration of these functional, yet stunning, architectural gems. The exhibit runs through June 16, with an opening reception on Friday, April 6, from 5:00-7:00pm.
4/6/18 10:00am - 6/16/18 5:00pm
Compass Music and Arts Center - 333 Jones Dr., Brandon
The Enigmatic Art of Endangered Alphabets, an exhibit of wood carvings by Tim Brookes, will exhibit at the Gallery at River Arts May 3 – June 19, 2018.
The non-profit Endangered Alphabets Project, founded in 2010, flourishes on the borderlands between art and woodwork, painting and typography, linguistics and anthropology, creative design and cultural preservation, ethnography and spirituality. Originally intended to preserve some of the world’s endangered writing systems by carving them in boards of beautiful Vermont curly maple, the Alphabets have expanded to encompass artwork, poetry, sound sculpture, and furniture.
The shapes incorporated in writing reflect our sense of what comes naturally to the human body—the radius-over-ulna turn of the wrist, the sweep of the arm, the turn of the shoulders, the leaning-forward downstroke obeying gravity—and what we think of as ideal forms: the circle, the line, the right angle, the set of parallels, symmetry and balance. The shapes incorporated in wood grain reflect a deeper, older set of forces: annual sun-and-rain weather cycles depicted in growth rings; the complex rhythms of wind stressing trees at the edge of a forest. These carvings are a conversation between the two sets of patterns, the urgent desire to communicate in human time set against the longer, slower rhythms of the natural world. The carvings have been displayed at the Smithsonian Institution, Yale, Harvard, the universities of Cambridge and Barcelona, and other colleges, universities, and libraries across North America.
Tuesday, June 19, 3:00p.m.
River Arts Center, 74 Pleasant Street, Morrisville, VT
On June 19 at 3:00p.m., Tim Brookes will be speaking on Endangered Alphabets, Cultural Erosion, and the Future of the Written Word. What does the age of digital convergence, Facebook, and globalization mean for the future of the written word? Writer/carver/painter Tim Brookes offers remarkable and thought-provoking perspective on this question by looking at a range of forms of writing from all over the world that are in danger of extinction. He displays a carving of a piece of text in each script, leading a discussion on how technology will help—and always has helped—define the nature of communication, and shows how the story of a culture can be seen in its writing, even if that writing is (as in these examples) beautiful, utterly unfamiliar, and disappearing. This talk is in conjunction with Tim Brooke’s exhibit “The Enigmatic Art of Endangered Alphabets.” The talk is free, open to the public, and accessible to those with disabilities. For more information, contact Heidi@RiverArtsVT.org.
Endangered Alphabets, Cultural Erosion, and the Future of the Written Word is a Vermont Humanities Council program hosted by River Arts. (Supported in part by the National Endowment for the Humanities. Any views, findings, conclusions, or recommendations expressed in this program do not necessarily represent those of the NEH or VHC.)
5/3/18 9:00am - 6/19/18 4:00pm
River Arts, Morrisville
Middlebury, VT—Richard Brown’s recently published retrospective—The Last of the Hill Farms: Echoes of Vermont’s Past—showcases the photographer’s most cherished subject: Vermont’s hill farmers. A new exhibition at the Vermont Folklife Center in Middlebury, VT offers the chance to experience the Vermont that Richard entered and began to photograph in the 1970s.
The lives, landscapes, and time period Brown so lovingly documented are available for viewing through a range of more than thirty large and small format, finely detailed, black-and-white photographic prints, which were hand-made by the artist.
OPENING RECEPTION: Friday, May 18, 2018 from 5:00-7:00 PM the Vermont Folklife Center in Middlebury, VT, will host a public reception and gallery talk. Complimentary locally sourced food and drink, including beer, wine, craft cheeses, produce, and more will be served.
Exhibit on Display now through June 23, 2018
Opening Reception and Gallery Talk – Friday, May 18, 2018 - 5-7PM
4/18/18 10:00am - 6/23/18 5:00pm
Vermont Folklife Center, Middlebury
May 12- June 24: Mitchell • Giddings Fine Arts is pleased to feature sculptor Bruce Campbell’s “Thinking the Cosmos: Kinetic Sculpture”. An opening reception will take place Saturday, May 12 from 5:30-8pm, with an Artist Talk scheduled for Saturday, June 9th at 5:30pm.
Bruce Campbell graduated from Syracuse University with a BFA in printmaking and received an MFA from Indiana University. In the early ‘70s Campbell began designing books and manuscripts, and soon he was specializing in the design of art museum books and catalogues. For thirty years his clients included The Metropolitan Museum of Art, National Gallery of Art, The Peabody Museum, and The Museum of Fine Arts, Houston, among others.
In 1976 Campbell was fascinated by the Whitney Museum retrospective exhibition, “Calder’s Universe”, which invited Campbell to experiment with wires joined and twisted into imaginative shapes, suggesting an art form which defines and controls space through three-dimensional line drawing.
“My ideas for kinetic sculpture usually begin as a question. For example, how can I show a certain concept of the universe? They attempt to illustrate, in the simplest way possible, conditions and events of the natural world. In showing a falling star, a lunar eclipse, or a rainstorm, I am trying to represent, in minimalist and transparent form, my perception of the universe - how the universe might be visualized if moved by gears, levers, and basic mechanics.” Visually stunning and interactively entertaining, Campbell’s kinetic sculptures illuminate/illustrate the dynamic relationships of phonomenal elements in the natural and celestial world, bridging physics, mechanics and aesthetics to create treasured pieces of pure wonderment.
Mitchell • Giddings Fine Arts is committed to presenting innovative, contemporary works that stimulate and challenge both the seasoned collector and aesthetic explorer.
5/12/18 5:00pm - 6/24/18 5:00pm
Mitchell • Giddings Fine Arts, Brattleboro
Merwin’s exhibit of oil paintings explodes with color and light. This series of over 18 pieces was created from 2015 to the present and celebrates the rites of spring in its color and vibrancy. Opening reception April 4, 4:00-7:00 PM. Montpelier Art Walk May 4, 4:00-7:00 PM.
4/3/18 8:00am - 6/28/18 4:30pm
Vermont Supreme Court Gallery, 111 State Street, Montpelier
Braintree painter Carolyn Egeli exhibits her oil paintings celebrating Vermont and its people through landscapes and portraits. Opening reception April 4, 4:00-7:00 PM. Montpelier Art Walk May 4, 4:00-7:00 PM. Photo ID required for entry.
4/3/18 8:00am - 6/28/18 4:30pm
Governor's Gallery, 109 State Street, Montpelier
The T. W. Wood Gallery at 46 Barre St. in Montpelier, Vermont, is pleased to announce an important exhibit, Ronald Slayton: Master of Watercolor from May 1, 2018 through June 29, 2018. Slayton (1910-1992) was born in Barre, Vermont. During the Great Depression he worked as an artist in the Vermont Division of the Federally funded Works Progress Administration (WPA) from 1936-1939. W.C. Lipke once commented that Slayton “has been a painter, poet, dramatist, educator, politician, gallery director, peace activist, humorist, critic and historian suggest that the single appellation 'artist' is not broad enough to encompass his many achievements.” There will be a celebratory free public opening reception at the Gallery on Friday, May 4, from 5:00-8:00 pm and an Art Talk at 6:00 pm with a panel that will include Nancy Graff, Bobby Gosh, Tom Slayton and Phillip Robertson.
The Ronald Slayton exhibit will highlight two watercolor murals “The Last Supper” (1985) and “The Hunger Dream” (1985). Figures in “The Hunger Dream” The majority of Slayton's works in this exhibit are from the private collection of Billi and Bobby Gosh. They have included twelve of Slayton's later watercolors that will be for sale with 100% of the sales being generously donated to the Gallery.
5/1/18 12:00pm - 6/29/18 4:00pm
T.W. Wood Gallery, Montpelier
This two-part exhibit of contemporary Vermont art is a collaboration between the Vermont Arts Council, Ric Kasini Kadour, and six guest curators. The 25 artists included come from all across the state and were identified as being on the verge of great work. Part II includes work by: work by Robert Gold (Burlington), August Burns (Middlesex), Jean Cherouny (South Burlington), Caroline Tavelli-Abar(Rochester), Sam Talbot-Kelly (Montpelier), Vanessa Compton (Greensboro), Hannah Morris (Barre), Angelo Arnold(Montpelier), Erika Senft Miller (Colchester), Renee Greenlee (Burlington), and Rose Umerlik (Jeffersonville).
Gallery hours are 8:30 a.m.-4:30 p.m. Monday-Friday. Call ahead to ensure conference room is available for viewing.
5/4/18 4:30pm - 6/29/18 4:30pm
Spotlight Gallery at Vermont Arts Council, Montpelier
Rachel Moore - Traces
On view: May 6 through June 29, 2018
EDGEWATER GALLERY at Stowe
151 Main Street • Stowe, Vermont • 802.760.6785
Edgewater Gallery at Stowe unveils a special selection from Rachel Moore’s complete body of work with brand new sculptural pieces in her solo exhibition Traces . The exhibition will be on view May 6th through June 29th, with a reception on Friday, May 11th from 5:30-7:00pm. The artist talk will begin at 6:00pm.
Moore’s work is steeped in careful attention to pattern language and shifts. Her materials range from watercolor and graphite on paper, to blown and cast glass, to ink on vellum and more. Traces ties together many thematic patterns in the artist’s work honoring the environment with a dialogue on prevailing conditions. Minimalist in color, her installations are infinitely rich in carefully considered materials and surfaces with an ethereal elegance and sophistication. Paying homage to presence in absence, many of her sculptural pieces refer to measurable data in climate change as well as migration patterns. Each movement, memory, presence and energy leaves a trace. This exhibition echoes traces of beauty in our global community.
Rachel Moore is a multidisciplinary artist working in mixed media sculpture, installation, drawing, and social practice. Moore uses maps, cultural and religious icons, text, and sculptural replications of objects from daily life to respond to social and political movements, often in poetic and haunting ways. In her social practice, she has used storytelling to create relationships of understanding and as a way to bring awareness to multicultural histories, in some cases, asserting a culture’s rightful place in history.
Moore’s work has been featured in international museums and galleries, on Art21’s “Inside the Artist’s Studio” and she is the recipient of numerous grants and awards.The artist is represented by Edgewater Gallery, Stowe, VT; Stewart Gallery, Boise, ID; and Traver Gallery, Seattle, WA. She lives and works in Vermont.
For further information on Rachel Moore and her exhibition, please call the gallery at 802-760-6785, email Kelly Holt (firstname.lastname@example.org), or visit edgewatergallery-vt.com.
Edgewater Gallery at Stowe hours:
Wednesday-Thursday 10am-5pm, Friday-Saturday 10am-6pm, Sunday 10am-4pm. Closed Monday & Tuesday.
Edgewater Gallery, Stowe
Vermont Landscapes, a selection of paintings of Vermont, is installed in the public spaces of Lamoille County Courthouse through June 30. Organized by Bryan Memorial Gallery, the exhibition includes oils, watercolors, monoprints, pastels, and acrylics. The Courthouse is open to guests, except between noon and 12:30. There is no charge for this exhibit. Image is from a watercolor by Vladimir Vagin.
2/27/18 8:00am - 6/30/18 4:30pm
Lamoille County Courthouse, Hyde Park
The Brandon Artists Guild (the BAG) presents the new paintings of Dave Fifield. This new collection of paintings titled Head In The Clouds” runs May 4 through June 26. The public is invited to the opening reception Friday, May 4 from 5-7 PM.
5/4/18 10:00am - 6/30/18 5:00pm
Brandon Artist Guild, Brandon
The exhibit is a collaboration between the photographer NatEli Boze and the artist Becky Cook. Becky often begins a painting outdoors and then finishes in her studio using reference photos she has taken. She has occasionally painted from NatEli’s photos, creating the idea for this exhibit.
NatEli fell in love with photography in college, learning to develop and print black & white negatives. Working in a photography studio was her graduate study. She took photos constantly, developing her film wherever she could. Most of her photos are now taken with digital cameras, although her 35mm Pentax SLR is still at hand.
Becky has been exhibiting landscapes and abstracts in group exhibits for 3 years. Creating pieces for this exhibit has given her the freedom to explore different approaches to her art. There are examples of oil, pastel, encaustic (hot wax) and watercolor in the exhibit. Both the original photos and the paintings resulting from them will be on display.
Becky says, “It’s been a fun challenge to develop different ideas in response to NatEli’s photos, sometimes in a playful manner.”
Tues, Wed, Fri 10–5:30
5/3/18 6:00pm - 6/30/18 5:30pm
Norwich Public Library, Norwich
In celebration of his 60th reunion at Middlebury College, the Henry Sheldon Museum offers a retrospective of the whimsical wood carvings of John Cross, a masterful contemporary folk artist.
Few would have predicted that an economics major at Middlebury College who earned a master’s degree in business at the University of Chicago would have begun carving during his career as a creative copywriter at a premier New York advertising agency. Humor, perseverance, and imagination are the skills reflected in all phases of his life journey.
John Cross began whittling while watching the filming of commercials for which he wrote the scripts for Proctor & Gamble and for Toyota. His ad copy promoted such iconic brands as Scope mouthwash and Crest toothpaste. During the day he wrote jingles from his advertising office in New York City, then headed for 813 Broadway where he shared a rented loft with sculptor William King, coincidentally in the same building where Wolf Kahn painted. Kahn, who now maintains a summer studio near Brattleboro, VT, is known for his sumptuous landscapes, and King, who died in 2015, worked in clay, wood, bronze, vinyl, burlap, and aluminum. Cross, King, and Kahn were among the poets, artists, and museum professionals who gathered for drinks and conversation at the renowned Cedar Tavern in Greenwich Village to encourage one another.
Cross has always worked with wood, in particular sugar pine. He favors figurative renderings of sports figures, especially the players and fans of the New York Yankees, artists, sideshow performers, Miss America contestants, fishermen, operatic stars, and playful everyday characters. He has researched players from the Negro Baseball League and commemorated them in compelling wood carvings. For many years Cross was represented by Jay Johnson, owner of a leading New York City American Folk Art gallery on Madison Avenue and later by the David Findlay Jr. Gallery on Fifth Avenue, and currently by the Carrie Haddad Gallery in Hudson, NY. His carvings are in the public collections of the Museum of American Folk Art and the Smithsonian, and in the private collections of Garrison Keillor and Ali McGraw.
John Cross and his wife Linda Cross, also an artist, reside and work from their home studios in Elizaville, New York. The Hudson River is nearby, as is the scenic rail line which provides them easy access to New York City galleries and museums and their son Peter Cross (Middlebury College ’93) and his family, who live in Manhattan.
The Sheldon Museum retrospective will honor this accomplished sculptor, who continues to carve and inspire gallery and museum visitors.
Man with Cigar, c. 1990. Photo: Christian Carone
3/20/18 10:00am - 7/8/18 5:00pm
Henry Sheldon Museum, One Park Street, Middlebury
Mary Fran Lloyd's show LIFE IN THE ABSTRACT has been currently open and will be up until August 9th at the Rutland City Hall, open Monday to Friday from 8:30 - 5. There is no opening reception for the show.
LIFE IN THE ABSTRACT consists of 31 paintings using acrylic paint and personalized collage papers
"Abstracting realism allows the freedom to convey my feelings about a subject, an important life experience, an everyday meaningful event, or the culmination of all, always emphasizing the positive."
Rutland City Hall, Rutland
Studio Place Arts presents “Stewards of the Land,” by Orah Moore on display at The Morse Block Deli (located at 260 N. Main Street, Barre).
Since 1984, Orah Moore has been studying the lifestyle of Montana ranchers. “I am interested in the spirit that impels them, the land that nurtures them, the storms they weather, and the livestock that support their way of life.” This show of handprinted silverprint photographs is on view through August 10, 2018. There will be an opening reception on Thurs., May 24, 5:30-6:30PM.
Visit: www.morseblockdeli.com for hours.
For more details about the exhibit, visit: www.studioplacearts.com
Morse Block Deli (260 N. Main Street), Barre
This exhibition features recent etchings and lithographs by Vermont artist Edward Koren, who is best known for his iconic cartoons of furry humans published in The New Yorker magazine. This summer’s show features a largely unknown body of prints, some fresh off the press and never before exhibited. Included in the selection of works are those featuring curious skeletal creatures in a landscape of ruined Gothic and Classical architecture partially inspired by Koren’s reading of The Sixth Extinction by Berkshire County resident Elizabeth Kolbert, as well as those from the La Petite Reine series (translated as the little queen, an early French term for the modern safety bicycle)which celebrates the sense of liberation, that feeling of freedom in space afforded by the bicycle.
5/12/18 10:00am - 9/9/18 5:00pm
Bennington Museum, Bennington
A large-scale, interactive sculpture installation by LA-based artist James Peterson, inspired by magical Siberian ice caves. Presented by Spruce Peak at Stowe, produced and curated by Helen Day Art Center. Located in the Spruce Peak Village Center, outside Spa Entrance. Open to the public all hours.
12/22/17 12:00am - 9/30/18 12:00am
Spruce Peak Village Center, Stowe
"Waterfowl Wonders and Amusing Animals by Three Self-taught Addison County, Vermont carvers – Gary Starr, Chuck Herrmann, and William Holway - greet delighted visitors to the Henry Sheldon Museum in Middlebury, Vermont.
Gary Starr is a world-class self-taught carver whose decorative decoys and birds are on display at the Sheldon – from three magnificent oversized shore birds – one standing, a second running, and a third feeding – to a variety of life-sized colorful birds including a Puffin, American Oyster Catcher, Belted King Fisher, Baltimore Oriole, and Lilac Breasted Roller.
Before perfecting his drawing, Bill Holway began his artistic pursuits by whittling and was one of the original craftsmen when Frog Hollow the Vermont State Craft Center was started in Middlebury in 1971. For years, Bill Holway was known locally for his “performance drawings” at Kennedy Brothers in Vergennes. His wood carvings at the Sheldon feature a moose with an iconic rack of antlers and a prominent beard-like dewlap under its chin, a brown bear, a frolicking horse, and more exotic animals such as long-horned goat, hippopotamus, elephant, zebra, camel, and giraffes.
Chuck Herrmann's carvings are a reflection of his deep commitment to the Vermont forest, its history and value. As an example, true to his investigative and collecting habits, he carved birds and waterfowl from remnants of a “root fence” that was once located on a farm field at New Haven Junction at the intersection of Routes 7 and 17.
3/20/18 10:00am - 11/11/18 5:00pm
Henry Sheldon Museum, One Park Street, Middlebury
Roots: Paintings by TJ Cunningham
EDGEWATER GALLERY in Stowe
151 Main Street • Stowe, Vermont • 802.760.6785 Contact: Kelly Holt email@example.com
On view: December 1, 2018 - January 11, 2018
Edgewater Gallery in Stowe announces a welcoming home, solo exhibition by TJ Cunningham aptly titled, Roots. The exhibition will be on view from December 1st through January 11th, with an opening reception on Friday, December 7 from 5-7pm. There will be an artist talk at 6pm. Cunningham inspires with his thought provoking landscapes of his native home, Addison, Vermont. Cunningham recently reflected on his upbringing in Vermont, and the powerful feelings of place as it relates to his art "One of my earliest, childhood memories is of an evening walk in November as woodsmoke wafted from the chimneys of my boyhood town. I remember the sharp feeling of cold air in my nostrils accompanied by the gentle smell of Vermont’s long heating season...The scent of woodsmoke always conjures those feelings of contented peace...More and more when I paint the landscape, I am searching for a similar experience; however, unlike smell, painting is an abstract language with a series of shapes, colors, and textures that together bring meaning... These are the places that mean the most to me; they are the scenes that evoke all of the joy and longing connected to my thoughts of home. They are my roots."
Known for his depth and layering of oil colors, majestic Vermont skyscapes, stretching farmlands, and meandering river waters, Cunningham once again delivers the scenes we recognize as the quietude of true homeland in this exhibition.
Cunningham received his formal training at Pensacola Christian College. He enjoys connecting with living artists in his travels, whose techniques he studies and whose work Cunningham follows and admires. The artist works directly in the landscape and from plein air studies in his studio in Tennessee. He teaches plein air painting workshops in several locations across the United States. Cunningham’s work is exhibited and collected nationwide, as well as in Europe.
Edgewater Gallery in Stowe, Stowe