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Category: Public Art

The “SiteTime” Artists

The “SiteTime” Artists

Posted: September 28, 2017

Four artists will work​ ​collaboratively for two years performing​ ​additive​ ​and​ ​subtractive​ ​actions in a new exhibit in the Council's Sculpture Garden.​ This installation will evolve over time, linked to the rhythm of changes in stacks​ ​of slowly​ ​drying​ ​cordwood​. Physical​ ​constructions, video​ ​and​ ​sound​ ​installations,​ ​artifacts,​ and ​event​-​based​ ​movement​ ​performances will​ come and go between fall 2017 and fall 2019. One environmental sculptor, a designer, and a choreographer ​will express wood's vital way​ ​of​ ​connecting​ ​our​ ​hands​ ​and​ ​our​ ​energy​ ​to​ ​the​ Earth​ ​as​ ​it​ ​rotates around​ ​the​ ​sun. Another sculptor's work will stand at one entrance of the garden throughout the exhibit. Read More
Digging Deeper

Digging Deeper

Posted: May 25, 2017

A year ago, the Council published the results of the 2016 Vermonter Poll. The study made clear that art matters to us in our public life, schools, and homes. A full 85% of Vermonters agreed with the statement, “I value the arts as an important element of life in my community.” We shared this data with Paul Costello, executive director of the Vermont Council on Rural Development since 2000. He said, “This statistic doesn’t surprise me. It mirrors what we hear from Vermonters all around the state. In all the years I’ve been involved in work with Vermont communities, the arts turn up time and time again as key local assets, as a driver for the local brand, and as one of the crucial points of attraction for entrepreneurs, youth and new residents.” Read More
Small Town, Big Plans

Small Town, Big Plans

Posted: March 16, 2017

Londonderry. A small Vermont town, unassuming. Maybe you’ve heard of it. Maybe you haven’t. Burton Snowboards. A global powerhouse of equipment and sporty chic clothing. Maybe you’ve heard of it. Maybe you haven’t. And maybe you’ve heard that Burton began in Londonderry? And maybe you’ve heard that the Londonderry Arts and Historical Society (LAHS) plans to erect a mammoth sculpture just across from the site of the farmer’s market? Read More
Maple, Murals, Sugarhouses, and Sculptures

Maple, Murals, Sugarhouses, and Sculptures

Posted: February 22, 2017

In the Green Mountain State, sweet signs of spring include maple forests awakening and a plethora of outdoor art awaiting visitors. With more than 3,000 sugarmakers in residence, Vermont is the top maple syrup producer in the United States, generating over one million gallons annually. This year, pair your visits to the state’s famed maple sugarhouses with outdoor arts exploration. From Maple Open House Weekend, March 25-26, to the Vermont Maple Festival, April 28-30, the opportunities for exploring Vermont arts and savoring the season are as ample as maple is sweet. Read More
Funding Available for Public Art

Funding Available for Public Art

Posted: September 26, 2016

Information sessions for the Animating Infrastructure Grant program will be held October 13-26. The program is designed to encourage communities to engage artists in the planning, design and/or fabrication of public art in infrastructure projects and to encourage thinking beyond the ordinary as concepts for new buildings, roads, bridges, and other public spaces are developed. Participants will learn about the application process, and will have the opportunity to brainstorm ideas for projects in their own community. Sessions are led by Michele Bailey, senior program director at the Vermont Arts Council. Anyone who wants to learn more about this grant program is encouraged to attend. Read More
Symbolic Landscapes

Symbolic Landscapes

Posted: August 18, 2016

Elizabeth Nelson has painted since she was eight. Her work has been shown since the late 1980s and has been presented in juried shows for nearly as long. Well-known for her images of northeastern landscapes, she is represented by galleries in New York and Vermont and has won commissions for public art. Liz is neither a young nor obscure artist; years of experience inform her painting. Reflecting on that, she said, "Every so often artists come to the end of what they're exploring. They have to ask, 'Where do I go from here?'" 2012 was one of those times. She wanted to transform her art. Read More